From the bitter quest of the Queen of Longtrellis, to two mysterious sisters who provoke the passion of a king, to the King of Highhills obsessed with a giant Flea, these tales are inspired by the fairytales by Giambattista Basile.
The film serves as Garrone's English-language debut and will interweave three separate story strands bookended by brief bits in which Italians Alba Rohrwacher and Massimo Ceccherini will play a street circus family. In one tale Salma Hayek will play a jealous queen who forfeits her husband's life. In another, Vincent Cassel plays a king whose passion is stoked by two mysterious sisters.Written by
The scene with the King of Longtrellis fighting the aquatic dragon was supposed to be much more dynamic, but Matteo Garrone had to recur to some expedients (i.e., the point of view shot of the King) because the dragon itself (an actual prop and not CGI) broke down while being shown to Garrone's son and his classmates during a break. See more »
The renaissance guitar that Princess Violet plays appears that it may have synthetic strings rather than gut strings. See more »
We were looking forward to this widely acclaimed movie. The fantastic costumes, gorgeous make-up and fabulous stage sets are awesome. Successive introductions of real-life grotesque characters continually perk our our interest. Unfortunately, however,the story- lines dawdles and shrivel prematurely. Large doses of European cultural Viagral subsidies never really get the movie going. The 3 unconnected surreal 17th century fables by the famed Giambatista Basile (the first European to write down Cindirella and Rapunzel) were sliced and spliced haphazardly by a stoned rookie's so-called attempt at editing. A mini-trilogy sequence would perhaps have been a better choice to address the many facets of the interplay between what men and women desire and how fate thwarts their best plans. This would have spared us the confusion of Kings and Queens ruling over the same kingdom. It would have spared us the expectation that the stories would somehow come together with a clever twist at the end. The fables superficially seem as pointless as a toddler's box of crayons. But they are not moral plays - they just illustrate out human foibles with cartoon like exaggeration. Only one story ends happily ever after. One other ends badly, the other just stops. With professional editing this glorious failure could have been a classic.
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