6.4/10
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101 user 222 critic

Tale of Tales (2015)

Il racconto dei racconti - Tale of Tales (original title)
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From the bitter quest of the Queen of Longtrellis, to two mysterious sisters who provoke the passion of a king, to the King of Highhills obsessed with a giant Flea, these tales are inspired by the fairytales by Giambattista Basile.

Director:

Matteo Garrone

Writers:

Edoardo Albinati (story), Ugo Chiti (story) | 3 more credits »
Reviews
Popularity
2,475 ( 38)
23 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Salma Hayek ... Queen of Longtrellis
Vincent Cassel ... King of Strongcliff
Toby Jones ... King of Highhills
John C. Reilly ... King of Longtrellis
Shirley Henderson ... Imma
Hayley Carmichael ... Dora
Bebe Cave ... Violet
Stacy Martin ... Young Dora
Christian Lees ... Elias
Jonah Lees ... Jonah
Laura Pizzirani Laura Pizzirani ... Jonah's Mother
Franco Pistoni Franco Pistoni ... Necromancer
Jessie Cave ... Fenizia
Michael Martini Michael Martini ... 1st Circus Boy
Alessandro Campagna Alessandro Campagna ... 2nd Circus Boy
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Storyline

The film serves as Garrone's English-language debut and will interweave three separate story strands bookended by brief bits in which Italians Alba Rohrwacher and Massimo Ceccherini will play a street circus family. In one tale Salma Hayek will play a jealous queen who forfeits her husband's life. In another, Vincent Cassel plays a king whose passion is stoked by two mysterious sisters. Written by moha alomari

Plot Summary | Add Synopsis

Plot Keywords:

ogre | king | queen | castle | circus | See All (48) »

Taglines:

Fables for the grown ups. See more »

Genres:

Drama | Fantasy | Horror

Motion Picture Rating (MPAA)

Rated R for sexuality, nudity, some violence and bloody images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France | UK

Language:

English | Russian

Release Date:

22 April 2016 (USA) See more »

Also Known As:

Tale of Tales See more »

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Box Office

Budget:

€12,000,000 (estimated)

Opening Weekend:

€897,983 (Italy), 18 May 2015, Limited Release

Opening Weekend USA:

$9,000, 24 April 2016, Limited Release

Gross USA:

$80,809, 22 May 2016
See more on IMDbPro »

Company Credits

Production Co:

Archimede,Le Pacte,Rai Cinema See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The movie was based on the Pentamerone ("The Tale of Tales, or Entertainment for Little Ones"), a collection of fairy tales by 17th century Italian poet and courtier Giambattista Basile. See more »

Goofs

The renaissance guitar that Princess Violet plays appears that it may have synthetic strings rather than gut strings. See more »

Quotes

Imma: I want to be with my sister.
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Soundtracks

Sì dolce è 'l tormento, SV 332
(from "Quarto scherzo delle ariose vaghezze")
Composed by Claudio Monteverdi
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User Reviews

 
Glorious failure
10 June 2016 | by spitfire2356See all my reviews

We were looking forward to this widely acclaimed movie. The fantastic costumes, gorgeous make-up and fabulous stage sets are awesome. Successive introductions of real-life grotesque characters continually perk our our interest. Unfortunately, however,the story- lines dawdles and shrivel prematurely. Large doses of European cultural Viagral subsidies never really get the movie going. The 3 unconnected surreal 17th century fables by the famed Giambatista Basile (the first European to write down Cindirella and Rapunzel) were sliced and spliced haphazardly by a stoned rookie's so-called attempt at editing. A mini-trilogy sequence would perhaps have been a better choice to address the many facets of the interplay between what men and women desire and how fate thwarts their best plans. This would have spared us the confusion of Kings and Queens ruling over the same kingdom. It would have spared us the expectation that the stories would somehow come together with a clever twist at the end. The fables superficially seem as pointless as a toddler's box of crayons. But they are not moral plays - they just illustrate out human foibles with cartoon like exaggeration. Only one story ends happily ever after. One other ends badly, the other just stops. With professional editing this glorious failure could have been a classic.


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