6.1/10
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71 user 47 critic
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A father is without the means to pay for his daughter's medical treatment. As a last resort, he partners with a greedy co-worker to rob a casino. When things go awry they're forced to hijack a city bus.

Director:

Writers:

(original screenplay by) (as Stephen Cyrus Sepher), (story by) (as Stephen Cyrus Sepher) | 1 more credit »
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Cast

Cast overview, first billed only:
... The Pope
... Luke Vaughn
... Jason Cox
... Sydney
... Kris
... Dog (Derek Prince)
... Pauline
... Detective Marconi
... Dante (as Stephen Cyrus Sepher)
... Bernie
... Steve
... Rebecca
... Tom
... Eric
... Tagger
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Storyline

When their attempt to rob a casino owned by the feared gangster Pope goes awry and a shootout ensues, Vaughn and Cox are forced to flee on foot and hijack city Bus 657 and take the passengers hostage. Written by Lionsgate Premiere

Plot Summary | Plot Synopsis

Plot Keywords:

overalls | casino | bus | riverboat | honda | See All (16) »

Taglines:

Never make a bet you can't afford to lose.

Genres:

Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, pervasive language and some sexual content | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Facebook | Official site

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Release Date:

11 November 2015 (Philippines)  »

Also Known As:

Bus 657  »

Filming Locations:


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Box Office

Budget:

$9,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This was Mark-Paul Gosselaar's first movie role in fourteen years. See more »

Goofs

Kris's patrol car continuously changes from a police livery with a rotating light bar to a sheriff's livery with a strobe light bar. See more »

Quotes

The Pope: If people tell you money doesn't buy love, they didn't have enough money.
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Soundtracks

PARTY PEOPLE
Written and Performed by Ben Zarai
Courtesy Ben Zarai Music (ASCAP)
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User Reviews

 
Interesting characters and performances, but a script that needs work
17 December 2015 | by See all my reviews

"Heist" a/k/a "Bus 657" offers strong performances and decent production values. The script has several strengths. The characters are interesting and multifaceted and the dialogue is good. The characters are given backstories and complex histories with one another, but those histories aren't developed sufficiently for the audience to understand some of the choices the characters make.

Some aspects seem contrived, such as the girl's critical illness and urgent need for surgery that somehow leaves her appearing healthy and rosy-cheeked, the hospital's ultimatum or the lack of other options like crowd-sourcing fundraisers. One plot device seemed much more appropriate in a 1990 Bill Murray comedy than a gritty action film. A feared gangster takes extraordinary steps to prevent anybody from ever imagine they can steal from him, but is robbed twice in a week. The casino seems to have less security for its cash than most casinos have on their alcohol.

One wishes filmmakers would take the time to do some rudimentary research. There are numerous images on Google of one million dollars in hundred-dollar bills. If half the money were in twenties, it would take up three times as much space. Used bills occupy possibly twenty percent more space than new bills. If a character runs around with a bag that's too small to hold the amount of money it's supposed to hold, people are likely to wonder where the rest of the money is.

The script has more holes than Emmentaler. At times the characters seem to act without any comprehensible motive. At other times, they have very real and believable motives. The script has a couple of nice twists, although they really need a better foundation than a brief allusion or quick background shot to make them seem believable. It would have been nice to get to know some of the passengers, particularly as they make choices that impact the outcome.

With a little more effort and development, it could have been a really good script. Strong performances by Morgan and De Niro and interesting turns by Bautista and Chestnut make the film a worthwhile viewing experience.


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