Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.
Being abstract and weird is certainly not something a lot of people would like, but that's the sort of tone that The Mend works in. On one hand, it is telling a mostly simple, straight-forward tale of two brothers and their dysfunction, but on the other hand giving that description of the film would not give it enough credit at all. I read a review calling it a very confident debut feature, and that it is. Not many fresh filmmakers would attempt to hint at the pacing and balanced tone that this does, and in that respect, props need to be given in different ways. That's not to say that all of it works though, since there are instances where more restraint may have been appreciated. Nonetheless, very intriguing film.
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