During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
On Thursday, January 15th, 2009, the world witnessed the "Miracle on the Hudson" when Captain Chesley Sullenberger, nicknamed "Sully", glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.Written by
For dramatical purposes, many aspects of the NTSB investigation were not portrayed correctly. No accident investigator tries to put blame on a pilot, or makes them justify their actions. They are only interested in improving aviation safety by studying all the facts. (Many countries do not even allow investigation reports to be used for legal purposes.) Then, the investigation is based on a transcript of the cockpit voice recording, which often takes weeks and sometimes months to prepare (e.g. acoustic engineers researching the source and the significance of each sound). Likewise, simulator trials take a long time to prepare, refine and interpret. Although the NTSB holds public hearings, they are not run like a court proceeding - they are a tool go gather additional information from interested parties, and to discuss evidence and findings. See more »
[after they've all been brought ashore]
I've never been so glad to be in New York.
See more »
As the credits roll, there is a reuniting scene with the passengers and crew. Another scene follows shortly with Sully's wife talking briefly about what has been going on at their home since the miraculous landing on the Hudson River. See more »
I think Clint Eastwood is very talented director and Tom Hanks is easily my favorite actor. He's just good in everything. That being said, I was going to wait to rent this movie because the subject didn't appeal to me very much. Ended up at the theater with a group of friends who wanted to see it, so that's what we saw.
Put simply, it was just OK.
Tom Hanks is always good (in my opinion) and that was still the case. He did really well and might get awards consideration. I don't think he reached the heights of his performances in Philadelphia, Cast Away, Forrest Gump, or Saving Private Ryan or even another bio-pic, Captain Phillips. He was very good and made the movie watchable. Aaron Eckhart was also pretty good. My problem with the acting is that I don't feel those characters would be very difficult to portray, so although they did a good job, it isn't impressive per se.
I am all for creative license, but I think the choice for the antagonists in this film is borderline slander given how actual events panned out. That's all I will say about that.
The plot honestly doesn't have much going for it. We already know how the flight ends and thus lose a great deal of dramatic suspense. Eastwood tries to work around this with how he structured the story, but it just felt forced. Three separate times, I believe, we end up in a flashback of the flight in question and it does not add anything to the story. It quickly grows old.
I mean, technically, this film is impeccable. The editing, the cinematography, etc. Clint Eastwood knows how to shoot a movie. So I don't want to knock it too hard. I just feel like it is pretty forgettable.
6 stars is my standard rating for a movie that is well made, but I just didn't really care about.
I do have to say that Aaron Eckhart's mustache is the star of the movie.
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