In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh (Robert Gulaczyk) to deliver the troubled artist's final letter and ends up investigating his final days there.
A year after the death of artist Vincent van Gogh (Robert Gulaczyk), Postman Joseph Roulin Chris O'Dowd) gets his slacker son, Armand (Douglas Booth), to hand deliver the artist's final letter written to his now late brother, Theo (Cezary Lukaszewicz), to some worthy recipient after multiple failed postal delivery attempts. Although disdainful of this seemingly pointless chore, Armand travels to Auvers-sur-Oise where a purported close companion to Vincent, Dr. Gachet (Jerome Flynn), lives. Having to wait until the doctor returns from business, Armand meets many of the people of that village who not only knew Vincent, but were apparently also models and inspirations for his art. In doing so, Armand becomes increasingly fascinated in the psyche and fate of van Gogh as numerous suspicious details fail to add up. However, as Armand digs further, he comes to realize that Vincent's troubled life is as much a matter of interpretation as his paintings, and there are no easy answers for a man ...Written by
Kenneth Chisholm (firstname.lastname@example.org)
SPOILER: In the closing credits, the tableau for Dr. Gachet discusses the difficulty that experts had in distinguishing the genuine works painted by van Gogh from those painted by Dr. Gachet in the style of van Gogh. See more »
Cinema has always been a gloried artwork and we have much more authentic proof in astounding Loving Vincent.
An animated construction entirely brought to life by oil paintings, is quintessential proof that cinema has still barely scratched the surface of its reaches. Loving Vincent is landmark event for animation and even biographical storytelling through its majestic vision at the last days of Vincent Van Gogh.
Set a after the death of fabled painter, Armand Roulin (Douglas Booth) is possessed with a letter from Van Gogh to his brother Theo before his death, and begins the journey to deliver it. While on call, Roulin encounters all the people close to Vincent before is death gradually trying to put the pieces of what cause his sudden suicide. From this we are taken back to key moments of Van Gogh's life mesmerizingly displayed through the living oil paintings.
Generated by 65,000 paintings by over a 100 artist, Loving Vincent is living work of art. First shot as a live action depiction then adapted into paintings, the immersive gallery of scenes is a first in new format of animation. Directors: Dorota Kobiela, and Hugh Welchman take Van Gogh's own artistry into his own biography (almost), from Citizen Kane style narrative, assessing and celebrating the life of one of the worlds if not the most famous painter. From this production becomes transporting cinema experience into the world of Van Gogh and an enchanting watch of magnificent painting and animation.
Of course what is the fundamental strength of Loving Vincent is its captivating artwork which for every moment is spectacular, and then you have the real narrative of Van Gogh's last days which on its own is an affectionate journey. Even if you don't not much about the life of Van Gogh this is an enthralling experience.
The monumental presence of the paintings is consistently exceptional with wonderful detail and creation put into it. One of the sensational efforts for the film is its sketch of the real actors, making them instantly recognisable on screen, bringing their performance into the art. Although our eyes are set on visual presence, Clint Mansell's score is also a tear-jerking atmosphere throughout the film, capturing the melancholy as well as joy of Van Gogh.
Loving Vincent is a visual sensation, proving the amazing talent that animation brings to the screen. This is by far one of the most significant films of the year and is must see experience, especially for art students.
37 of 44 people found this review helpful.
Was this review helpful to you?
| Report this