In a story depicted in oil painted animation, a young man comes to the last hometown of painter Vincent van Gogh (Robert Gulaczyk) to deliver the troubled artist's final letter and ends up investigating his final days there.
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A year after the death of artist Vincent van Gogh (Robert Gulaczyk), Postman Joseph Roulin Chris O'Dowd) gets his slacker son, Armand (Douglas Booth), to hand deliver the artist's final letter written to his now late brother, Theo (Cezary Lukaszewicz), to some worthy recipient after multiple failed postal delivery attempts. Although disdainful of this seemingly pointless chore, Armand travels to Auvers-sur-Oise where a purported close companion to Vincent, Dr. Gachet (Jerome Flynn), lives. Having to wait until the doctor returns from business, Armand meets many of the people of that village who not only knew Vincent, but were apparently also models and inspirations for his art. In doing so, Armand becomes increasingly fascinated in the psyche and fate of van Gogh as numerous suspicious details fail to add up. However, as Armand digs further, he comes to realize that Vincent's troubled life is as much a matter of interpretation as his paintings, and there are no easy answers for a man ...Written by
Kenneth Chisholm (firstname.lastname@example.org)
Only the "present day" sequences are animated in the style of Vincent's paintings, flashbacks were animated from black & white photographs of the period. See more »
A fly can be seen for a frame, with it being stuck to the real life painting of the frame. See more »
Vincent van Gogh:
Dr. Gachet is eccentric. I don't Know how he thinks he can cure me when he seems at least as sick as I am.
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SPOILER: In the closing credits, the tableau for Dr. Gachet discusses the difficulty that experts had in distinguishing the genuine works painted by van Gogh from those painted by Dr. Gachet in the style of van Gogh. See more »
Every frame of this film is a painting. Think about that! They employed 100 artists to create 65,000+ frames to make this film. I loved the idea that the audience is looking through the eyes of an artist--how an artist might see. If that kind of thing interests you, you should go see this film in the theater. It is stunning.
As for the narrative? Well, now, if you know anything about the history of Van Gogh's life, you know it wasn't terribly happy. There is a lot of drinking and smoking and despair to go around. They employ a plot device involving a letter, and it works. Do not go in thinking there will be thundering revelations about the life of the artist. But it offers some quiet insights about some of the subjects of his paintings, and I really loved this.
If you are familiar with Van Gogh's works and appreciate his aesthetics, you owe it to yourself to go. A totally unique cinematic experience.
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