Summer of 69

I was really skeptical coming into this, being the ALPHA I think I am. You know, the red meat, growling, snarling Wolf. I'd chase down overly-showy, and timid women like this. I'm an ANIMAL! They WILL succumb to my will!

But then, my favorite funny person, from that limp-waisted, liberal SNL decides to star in it, and coax me into believing that I (her number 1fan [thanks, Annie Wilkes]) was going to see my dream dance around nekkid.

I sat through one hour and forty minutes, and what the .... Blank ... where were the boobies (No this isn't a size joke. Her character was a stripper, and I've been to enough bachelor parties to know I should see boobies!)

What, you think you can get away with not showing boobies because you make us laugh from the belly in a super identifiable way?

Lots of snark. Loved the movie, loved the cameos, Fibeman continues to be my fave SNL cast member, and she showed she is ready for next, I think.

8/10 - great step into the next level for Fineman. I was skeptical at first, but she brought everything together at the end and I was sold and invested in her arc. The high school girl gave me shades of the 8th grade in-kids, Mitch Kramer and Sabrina Davis, from Dazed and Confused. Solid effort, and it made me laugh out loud, literally.

Chloe Fineman delivers a standout performance as Santa Monica, an exotic dancer who helps high school senior Abby Flores, played by Sam Morelos, navigate her romantic endeavors. Fineman's portrayal is particularly notable for an impressive and athletic striptease scene set to Peaches' 2006 hit "Boys Wanna Be Her," showcasing her remarkable strength, flexibility, and control. Her performance has been highlighted as a pivotal moment in the film, leaving a lasting impression on both the audience and Abby's character.

Bonus for 'Grey's Anatomy' Fans:

Adding to the film's appeal, Jerrika Hinton, known for her role as Dr. Stephanie Edwards on "Grey's Anatomy," appears in "Summer of 69." Her presence adds a familiar face for fans of the long-running medical drama.

Overall Assessment:

While "Summer of 69" offers a fresh take on the teen sex comedy genre with strong performances, especially from Fineman, its reception suggests it's more of a solid entry than a perfect film. Given the mixed reviews, a 10 out of 10 rating might be generous. However, if you're a fan of quirky coming-of-age stories with a blend of humor and heart, it could be a worthwhile watch.

Stumbling upon the 2025 comedy "Summer of 69" by random chance, I opted to watch the movie without knowing what I was in for. I simply opted to watch it as it was a movie that I had neither seen nor actually ever heard about. And thus, director Jillian Bell had every opportunity to entertain me here.

The storyline and script written by Jillian Bell, Jules Byrne and Liz Nico was really, really entertaining and enjoyable. There was a lot of great comedy throughout the course of the movie. It was nicely put together and brought to the screen. I was genuinely surprised with how much I enjoyed this 2025 comedy.

The only familiar faces on the cast list, for me, was actress Jillian Bell, whom also happen to both have written and directed the movie, and also actor Charlie Day. The acting performances in "Summer of 69" were good, and I was really impressed with leading actress Sam Morelos, playing Abby. Sam Morelos really carried the movie quite nicely, and she had great on-screen charisma, and she certainly seems like an actress that will go far with her talent.

If you enjoy coming of age comedies with a truly enjoyable storyline, then you most certainly should give "Summer of 69" a chance. I was genuinely and wholehearted entertained throughout the course of the 101 minutes that the movie ran for. I certainly had some good and genuine laughs.

My rating of director Jillian Bell's 2025 comedy "Summer of 69" lands on a most deserved eight out of ten stars.

Actress Jillian Bell makes her directorial debut with the teen comedy about friendship and unbridled sex in a film whose strength lies in its openness and authenticity.

Starring Chloe Fineman and Sam Morelos, this comedy takes us on a journey about unbridled sexual freedom and two characters who become soulmates in a humorous yet innocent way. This comedy has its amusing moments and ultimately delivers a satisfying result that can be enjoyed without any major hang-ups. A risky coming-of-age film that manages to contain ironic moments and rather dark humor that make it an absolute pleasure to watch, it's a hilarious homage to classic teen cinema, presented through the female gaze in a rather interesting directorial debut that deserves to be watched.

It's a journey through a film that doesn't discover anything new; it simply strives to place the right pieces at the right moments, resulting in a rather entertaining film. It showcases the kind of sweet, incredible friendships that make teen comedies memorable. When the credits roll, we're left with the feeling that a completely natural friendship has been forged between the characters and the audience, a sign that the journey was quite enjoyable and that we had a good time.

It's not perfect, it won't be for everyone, and the film is aware of that, but if you give it a chance, it will reward you with funny moments and two characters whose crazy antics make you laugh a lot, especially Morelos, who stands out as a budding star worth keeping an eye on.

Jillian Bell's Summer of '69 arrives with a breezy, retro vibe and a provocative premise: a quirky teenage girl, played with energetic charm by Chloe Fineman, hires an exotic dancer to seduce the boy she's been silently obsessing over. The film leans into its absurdity with gusto-mixing coming-of-age awkwardness with raunchy comedy and a touch of faux empowerment. Fineman's comic timing helps sell the film's zanier beats, and Bell's direction keeps the tone playful and nostalgic. But beneath the neon lights and indie soundtrack lies a concept that, flipped on its head, would likely never make it past the development stage.

Imagine this same movie, but with a male lead who hires a male stripper to seduce a shy girl he likes-an act of orchestrated manipulation and deception. It wouldn't be pitched as charming, empowering, or "bold"-it would be condemned as creepy, predatory, and exploitative. The fact that Summer of '69 receives praise under the banner of female agency is a textbook case of Hollywood's selective morality. The film wants to have it both ways: to push boundaries and embrace empowerment, while ignoring the ethical questions that would be front and center if the genders-or orientations-were reversed.

In the end, Summer of '69 isn't edgy or revolutionary-it's a symptom of a larger double standard. Hollywood feminism, at least as it's practiced here, often boils down to swapping male misbehavior for female "empowerment" without reevaluating the behavior itself. What's sold as subversive comedy is, in truth, just manipulation in a different outfit. Fineman is talented, and Bell shows directorial flair, but no amount of charm can mask the hypocrisy.