Desperate to return home from a state visit to Istanbul when his country suffers its worst-ever political crisis, but unable to fly due to a solar storm, the King of the Belgians finds himself on a tumultuous road trip across the Balkans.
Peter Van den Begin,
Titus De Voogdt
Two years after the tragic loss of his older brother, 17-year-old Daan unwillingly goes along when his grieving family decides to give shelter to a homeless teenager called Radja. But as ... See full summary »
Koen De Bouw,
Lena is a lonely, plump adolescent girl. Much to her surprise she gets a relationship with the popular but unreliable Daan. Lena moves in with Daan and his strange father Tom and is willing to do a lot for his love. More than a lot.
A minute's silence is being observed in the grammar school of Hirtshafen, a small fishing town on the Baltic shore - in memory of Stella Petersen, the school's young English teacher. For ... See full summary »
Benjamin is a teenager on annual holiday with his parents in Spain. During this holiday he meets the attractive and intriguing Annabel. Together with Annabel, he is about to embark on a dangerous adventure. One that he will never forget.
The sun can be found behind the most menacing clouds
Suicidal teens, depressed mothers, manic ladies, the gap between rich and poor, the global warming, the destruction of the world in general: the Belgian film Vincent has all the dark themes. Screenwriter-producer Jean-Claude Van Rijckeghem, has in his life and career made a point to find the sun behind the most menacing clouds. He makes no exception this time. 'Vincent' seeks a balance between emotional drama and humor jolly. the first gets remarkably well done, thanks to a rich narrative pace and certainly a strong group of actors. Protagonist Spencer Bogaert confirms his talent, Geert Van Rampelberg gives color to the one-dimensional Raf and Barbara Sarafian was as mother Marianne perfect. The nonsense that everything must be put into perspective however, affects less goal. And so 'Vincent' unfolds in the film he at the end of the ride actually always wanted to be: entertaining and smooth, but also harmless and perfect 'middle of the road'.
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