Juliette's problem is that she is totally incapable of making up her mind about anything. So even at 40, she still asks her father and her two best friends to choose everything for her. ... See full summary »
Forty-something Pascaline runs a restaurant and prepares the stylish dining room for Valentine's Day. How could she expect her lover of twenty years ago to appear and asks her to leave with... See full summary »
Koen De Bouw,
Two people meet again after more than 50 years. They were lovers once, but their lives took different turns: she married his best friend. Fifty years later, they meet again and passion ... See full summary »
Charlotte De Bruyne,
Lucas Van den Eynde,
Charlotte Anne Bongaerts
1993, behind the scenes of Belgium's first commercial television channel VTM. The actors of the popular sketch show "Studio Tarara" gradually lose themselves in a spiral of self-destruction that culminates in a mysterious suicide.
Koen De Graeve,
Peter Van den Begin
Bob and Greta De Jaegher are happily married for 40 years. They can look back on a rich and fulfilled life. Their 2 sons Steve and Carl have a successful life as well. Steve is a talented ... See full summary »
The sun can be found behind the most menacing clouds
Suicidal teens, depressed mothers, manic ladies, the gap between rich and poor, the global warming, the destruction of the world in general: the Belgian film Vincent has all the dark themes. Screenwriter-producer Jean-Claude Van Rijckeghem, has in his life and career made a point to find the sun behind the most menacing clouds. He makes no exception this time. 'Vincent' seeks a balance between emotional drama and humor jolly. the first gets remarkably well done, thanks to a rich narrative pace and certainly a strong group of actors. Protagonist Spencer Bogaert confirms his talent, Geert Van Rampelberg gives color to the one-dimensional Raf and Barbara Sarafian was as mother Marianne perfect. The nonsense that everything must be put into perspective however, affects less goal. And so 'Vincent' unfolds in the film he at the end of the ride actually always wanted to be: entertaining and smooth, but also harmless and perfect 'middle of the road'.
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