| Cast overview: | |||
| Nijirô Murakami | ... | Kaito | |
| Junko Abe | ... | Kyôko (as Jun Yoshinaga) | |
| Miyuki Matsuda | ... | Isa | |
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Tetta Sugimoto | ... | Tôru |
| Makiko Watanabe | ... | Misaki | |
| Jun Murakami | ... | Atsushi | |
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Hideo Sakaki | ||
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Sadae Sakae | ||
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Kazurô Maeda | ||
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Mitsuaki Nakano | ||
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Yukiharu Kawabata | ||
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Yukiyo Maeda | ||
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Kinue Yasuda | ||
| Fujio Tokita | |||
On the subtropical Japanese island of Amami, traditions about nature remain eternal. During the full-moon night of traditional dances in August, 16-year-old Kaito discovers a dead body floating in the sea. His girlfriend Kyoko will attempt to help him understand this mysterious discovery. Together, Kaito and Kyoko will learn to become adults by experiencing the interwoven cycles of life, death and love. Written by Cannes Film Festival
I am a big admirer of Japanese cinema, film makers like Kurusawa, Koreeda, Oshima Imamura and the list goes on. And also from time to time I enjoy slow cinema, but in the case of Naomi Kawase Still The Water and her other previous film "Mourning Forest" for witch reasons i don't understand why the jury awarded it the grand prize there were far better films competing that year like Russia's entry and brilliant The Banishment. Still the water had an interesting concept for a great story and its tropical location and beautiful cinematography, still the screenplay falls flat the characters seem to sleepwalk through the whole film. I truly believe Naomi makes film for her and friends and she is unaware that audiences outside her realm are falling asleep to her films. i give this film a D.