While in his teens, Donny fathered a son, Todd, and raised him as a single parent until Todd's 18th birthday. Now Donny resurfaces just before Todd's wedding after years apart, sending the groom-to-be's world crashing down.
After moving his family back to his hometown to be with his friends and their kids, Lenny finds out that between old bullies, new bullies, schizo bus drivers, drunk cops on skis, and four hundred costumed party crashers sometimes crazy follows you.
Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.Written by
Sandler is derived from the word "shoemaker", which is a cobbler's profession. See more »
When the thug who is beating "Patrick the Ratprick" pulls out a semi-automatic Glock pistol to shoot Patrick, you hear the sound of the gun's slide being cycled, which would put a round into the empty chamber. When Leon tells him to stop, you see the thug cycle the slide again, as if this action would "de-cock" the weapon, which it does not. In addition, no cartridge is ejected when he does this, which is what would happen had a round actually been in the chamber. See more »
The scene in which Leon is killed by being stabbed in the neck with a stiletto heel is censored in both the US and UK versions of the film to attain a PG-13 and 12 rating respectively. The version shown at festivals, and the German release, are uncut. In the censored version, blood has been digitally reduced in the medium shots of Leon, and a shot is removed entirely of Leon taking the heel out of his neck as blood runs down his shirt. The UK version makes an additional change to the scene where Leon roughs up a thief; throughout the scene, the blood on the thief's face has been digitally recolored to be darker in order to soften the impact of the scene. See more »
Unique and bizarrely invigorating, The Cobbler is better than Sandler's recent works
Adam Sandler has made an array of dubious movies for several years now, filled with cheap jokes and crude slapstick moments. The Cobbler has significantly different direction than all of those, it brings an odd near magical concept that unexpectedly works. While it also has a couple of flaws like some corny jokes and predictable plot devices, it remains entertaining without forced juvenile moments and delivers genuine laughs.
Story follows Max Simkin (Adam Sandler), a cobbler who finds out that his old apparatus has another magical function other than fixing soles. It allows him to change into the person who owns the particular shoes. The premise is good, Max steps into other persons' lives and also the wrong crowd, whose lives are far more diverse than his. Adam Sandler take a different role than his usual silly middle age men role. He brings more of casual awkwardness from a polite man, the addition of background and cultural aspects are also very welcomed to set a more identifiable setting.
Cinematography is slightly somber, certainly a change of pace from Sandler's usual overly colorful tone. To its credit, there are amount of details of the environment and the movie portrays the setting as a fundamental part of it. Humor mostly hits the spot, the jokes will create a few chuckles here and there. Though it's not all gold, it is definitely better than maniac laughs in Grown Up which isn't infectious at all. The film has more focus as it tells the comedy with both subtlety and exaggerated motions.
Actors deliver fair performance. Max's transformation takes him into different skins, all of which are portrayed with shared clumsiness. The body switching subgenre has a few predictable twists, the film also faces this problem, but it creates scenes with enough refinement that makes them refreshing and presentable. Screenplay and script have substantial material, they don't overreach the premise even though there are a few subplots in play.
There are some narrative hiccups towards the latter half, although these are not intrusive and shouldn't deter one from giving the movie a chance. The Cobbler reminds me of Click, it has strange concept yet surprisingly effective. This is an improvement in Sandler's movie line-up and it's certainly worth a view.
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