A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
12 years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they soon become the target of the dollmaker's possessed creation, Annabelle.
After trying to connect with her dead mother, teenager Quinn Brenner, asks psychic Elise Rainier to help her, she refuses due to negotiate events in her childhood. Quinn starts noticing paranormal events happen in her house. After a vicious attack from a demon her father goes back and begs Elise Rainier to use her abilities to contact the other side in hope to stop these attacks by this furious demon content for a body.
Stefanie Scott starred in her co star Hayley Kiyoko 's music video, "girls like girls", and the two would also collaborate in the same year again in the film Jem and the Holograms (2015). See more »
When Quinn knocks on her wall and supposedly Hector returns the knock, Quinn texts him asking if she woke him up. He replies with "I'm not home...". This implies that he already knows that she had knocked on the wall, but Quinn gave no indication that she had done that. His reply should have simply been "no", but of course that would break the story line. See more »
Not a terrible movie by any stretch of the imagination, but sadly nowhere near the standard of the first two Insidious movies. I found the characters pretty flat and uninteresting and the story less imaginative than the previous installments.
That said, as a stand alone it's not a bad horror film, especially considering it was a first attempt at directing by the guy who usually does the screenplay. I will admit to jumping out of my seat on more than one occasion whilst watching. It certainly doesn't lack in scares, what it does lack is depth, there isn't enough going on between the "jumps". By all means, go and see this film, just don't expect it to match the brilliance of the first two.
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