Noha is about to get married. Her family is relieved to see her take advantage of this last chance before officially becoming a spinster just like her sister. Everything seems to be going ... See full summary »
Franck and Simon are both good cops and partners. Simon has been troubled since he killed three in a drunk driving accident, but when Simons son witnesses a murder, and is hunted by ruthless killers, he's efficiently back.
Fifteen years after a traumatic explosion in his native Beirut, Kamal Maf'ouss returns from France, where he was nationalized and become a composer-choreographer. He reassembles youth ... See full summary »
Rodney El Haddad,
Nada Abou Farhat
A literature professor at the University of Lausanne, Marc has a reputation for having love affairs with his female students. A few days after the disappearance of one of the most brillant ... See full summary »
Actress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her ... See full summary »
Gerard Depardieu plays a sleazy Paris nightclub owner and ex-detective who flies to Hong Kong to rescue the young son of a friend murdered by the Chinese mob. He leaves the boy in the hands... See full summary »
A few seconds of Jacques Demy's musical 'Les demoiselles de Rochefort' (1967) are in the TV at Osman house. The soundtrack was composed by Michel Legrand, the same composer on 'The price of fame' (2014), and Catherine Deneuve is actually the mother of Chiara Mastroianni (who plays the role of Rosa in this film). See more »
Benoît Poelvoorde & Roschdy Zem are two of the most interesting performers making films right now but they don't seem to inhabit the same universe and having emerging director Beauvais, from "Of Gods & Men", steer them though a film about ransoming Charlie Chaplin's body could have gone in any direction. For most of "La rançon de la gloire" the film 's tone is uneasy - a few giggles, a few surreal touches like Poelvoorde finding himself in the middle of a circus, lots of character development and a bit (not enough) of suspense.
Comes the trial climax and the defense convincing us that the lead duo are Chaplin characters pulls it all together. Nice touches - Michel Legrand on the 'phone to go with the clip of a TV "Demoiselles de Rochefort", the car snaking along the highway at night to the "Limelight" Theme, Zem and Mastroianni from Beauvais' first movie, Nour from "Caramel", the beautiful quality Chaplin clips, his great looking grand-daughter in person and Benoit and Noirjean doing the circus clown act I remember from the fifties, not to mention the snappy post titles gag.
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