In the summer of 1991, a sheltered teenage boy comes of age during a wild summer he spends in Cape Cod getting rich from selling pot to gangsters, falling in love for the first time, partying and eventually realizing that he is in over his head.
In a small desert town, decimated by the economic recession, two teenagers (Jace and Derek) try to get by working as Sign Spinners. Harassment by local bullies leads Jace to make some ... See full summary »
Erik L. Barnes
Erik L. Barnes,
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse and recovery in a family coping with addiction over many years.
Felix van Groeningen
Jack Dylan Grazer
Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship causes him to take a relatively green performer under his wing as his opening act.
Two fathers with opposing personalities come together to celebrate the wedding of their children. They are forced to spend the longest week of their lives together, and the big day cannot come soon enough.
This movie follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-images, and their love lives. This movie attempts to stare down social issues such as video game culture, anorexia, infidelity, fame hunting, and the proliferation of illicit material on the internet. As each character and each relationship is tested, we are shown the variety of roads people choose - some tragic, some hopeful - as it becomes clear that no one is immune to this enormous social change that has come through our phones, our tablets, and our computers.Written by
David Denman's character name is Jim Vance. Both of those names were in The Office (2005), a show in which he appeared. See more »
Guild Wars does not have a monthly subscription fee, so Tim's dad couldn't cancel anything by calling his credit card company. See more »
[recites extract from Carl Sagan's Pale Blue Dot, A Vision of the Human Future in Space]
That's home. That's us. On it, everyone you love, everyone you know, everyone you ever heard of, every human being who ever was lived out their lives. Every young couple in love, every mother and father, hopeful child, every saint and sinner in the history of our species lived there on the mote of dust suspended in a sunbeam. How frequent their misunderstandings, how fervent their hatreds. Our ...
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An excellent movie, but perhaps a bit misunderstood.
I read the book when it came out, and absolutely loved it. I won't go too in depth into the differences between the book and the movie. Some characters were cut, some stories were shortened and rearranged, and the ending is somewhat less dark. However, I would say that all of these changes are understandable when making a two hour movie. The soul of the book is still there though. If you liked the book, you will like the movie. The directing and acting are great, and I have zero complaints in this department.
I do have a few complaints, starting with some parts of the plot seem like they would be hard to follow if you haven't read the book. There were segments of the story that would have benefited from a little more time spent on them for clarity. I am a fan of long movies, and understand that a lot of people are not, but I think an extra 15 minutes could have made a big difference.
The narration seems to be a sore subject among the other reviews I've read, and I have to say I have mixed feelings. I like the idea of narration in a book-turned-movie. There's a certain amount of context and motive behind characters' actions that can get glossed over in a movie if there's no narration, but it was too inconsistent in this case. It either needed more narration, or it needed to be limited to just the intro and outro.
I think the major issue with the movie is that people are focusing on the wrong parts of it. Everyone wants to talk about the blunt sexual content, and the excessive use of technology in the movie. To me, those are the things that make it a realistic story. Perhaps that's just because I'm in my twenties, and blunt sexual content and excessive technology use are a large percentage of my life. People call this a movie about how technology is ruining and/or changing relationships. I disagree. This movie is about growing up, relationships, and miscommunication. Affairs aren't new. Questionable parenting isn't new. Body image issues aren't new. Sexual frustration isn't new. Depression isn't new. The movie shows technology not as a cause or effect of any of these things, but as being intertwined with them the exact way technology is intertwined with modern life. People are looking to MWC as a comment on technology in modern life, and finding it wishy- washy. But that's because it's not taking any sides, it's just showing how things are.
If you go in to this movie expecting an interesting story, rather than an editorial about technology, you'll probably enjoy it. Just don't bring your kids or your parents.
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