In 1983, financially struggling college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret, putting her life in mortal danger.
Young newlyweds Paul and Bea travel to remote lake country for their honeymoon. Shortly after arriving, Paul finds Bea wandering and disoriented in the middle of the night. As she becomes more distant and her behavior increasingly peculiar, Paul begins to suspect something more sinister than sleepwalking took place in the woods.Written by
When Bea and Paul enter the restaurant, the door stays open behind them. When they make their way back towards the door after the owner tells them to leave, it is closed. See more »
Rest your womb.
Oh... my womb?
Why did you say that?
I don't know. I don't know. I-I didn't mean anything. I'm gonna make the pancakes now.
I don't know.
You say. What?
Do you want to have a baby?
[...] See more »
For their honeymoon, a newly-wed couple Paul and Bea travel to the bride's former home, a rural, sparsely populated community in Canada. A strange encounter with an old acquaintance follows a sleepwalking incident involving Bea and from hereon in it becomes clear that something is terribly wrong.
This indie flick has a very small cast that relies largely on the acting of its two central characters, a couple of Brits called Rose Leslie and Harry Treadway whose American accents are pretty flawless it has to be said. Both put in very strong performances in roles that require a fair bit of range. The characters evolve from so-happy-we'll-make-you-sick just married, through to relationship distrust and eventually onto outright psychological horror. The actors are good enough to convince in all these very differing levels of emotion. Because the story has so few characters, such a remote setting and such intense emotions, it's a film that is somewhat claustrophobic in its effect. It underplays the horror side of things and slowly builds thing up layer by layer. But we are never in any doubt that there is something very strange going on and there are small unusual clues punctuated along the way, such as strange sexual-looking marks on Bea's body, a recurring gooey substance found alongside her discarded night-dress and her strange distant behaviour. To reveal any more would be unfair, so I will leave it at that but suffice to say that this is a very good, mysterious genre piece well directed by Leigh Janiak.
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