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Cast verified as complete
Brie Larson | ... |
Ma
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Jacob Tremblay | ... |
Jack
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Sean Bridgers | ... |
Old Nick
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Wendy Crewson | ... |
Talk Show Hostess
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Sandy McMaster | ... |
Veteran
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Matt Gordon | ... |
Doug
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Amanda Brugel | ... |
Officer Parker
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Joe Pingue | ... |
Officer Grabowski
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Joan Allen | ... |
Nancy
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Zarrin Darnell-Martin | ... |
Attending Doctor
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Cas Anvar | ... |
Dr. Mittal
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William H. Macy | ... |
Robert
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Jee-Yun Lee | ... |
News Anchor
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Randal Edwards | ... |
Lawyer
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Justin Mader | ... |
FBI Agent
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Ola Sturik | ... |
Reporter #1
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Rodrigo Fernandez-Stoll | ... |
Reporter #2
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Rory O'Shea | ... |
Reporter #3
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Tom McCamus | ... |
Leo
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Kate Drummond | ... |
Neighbour
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Jack Fulton | ... |
Jack's Friend
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Rest of cast listed alphabetically: | |||
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Celeste Bruno | ... |
Heather Noelle (uncredited)
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Chantelle Chung | ... |
Clerk (uncredited)
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Derek Herd | ... |
Diner Patron (uncredited)
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Megan Park | ... |
Laura (uncredited)
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Graeme Potts | ... |
TV Cameraman (uncredited)
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Lindsay Somers | ... |
Nurse (uncredited)
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Katelyn Wells | ... |
Teenage Girl (uncredited)
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Brad Wietersen | ... |
TV Crewman (uncredited)
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Directed by
Lenny Abrahamson |
Written by
Emma Donoghue | ... | (screenplay by) |
Emma Donoghue | ... | (based on the novel by) |
Produced by
Jeff Arkuss | ... | executive producer |
Emma Donoghue | ... | executive producer |
Rose Garnett | ... | executive producer |
Hartley Gorenstein | ... | line producer |
David Gross | ... | producer (produced by) |
Ed Guiney | ... | producer (produced by) |
David Kosse | ... | executive producer |
Andrew Lowe | ... | executive producer |
Keith Potter | ... | executive producer: Bord Scannán na hÉireann/The Irish Film Board |
Tessa Ross | ... | executive producer |
Jesse Shapira | ... | executive producer |
Chantelle Tabrizi | ... | supervising producer: No Trace Camping (as Chantelle Kadyschuk) |
Music by
Stephen Rennicks | ... | (music by) |
Cinematography by
Danny Cohen | ... | director of photography |
Editing by
Nathan Nugent |
Editorial Department
Gary Curran | ... | colorist |
Cillian Duffy | ... | on-line editor |
Jennifer McCann | ... | assistant editor |
Eugene McCrystal | ... | on-line editor |
Katie Mims | ... | post-production supervisor: behind the scenes featurettes |
Sam Noone | ... | digital intermediate conform |
Gregor Pfüller | ... | film recording supervisor |
Andrew Hegele | ... | marketing editor (uncredited) |
Casting By
Kathleen Chopin | ... | casting director: additional: USA |
Robin D. Cook | ||
Fiona Weir |
Production Design by
Ethan Tobman |
Art Direction by
Michelle Lannon |
Set Decoration by
Mary Kirkland |
Costume Design by
Derek J. Baskerville | ||
Lea Carlson |
Makeup Department
Sid Armour | ... | makeup artist |
Stacey Butterworth | ... | wig maker |
Joan Chell | ... | assistant makeup artist |
Jenn Gould | ... | key hairdresser (as Jennifer Gould) |
Production Management
Hartley Gorenstein | ... | production manager |
Emer O'Shea | ... | Production & Post Production Executive: Element Pictures |
Tricia Perrott | ... | post-production supervisor |
Second Unit Director or Assistant Director
Patrick Arias | ... | second assistant director |
Alexandre Champagne | ... | third assistant director (as Alex Champagne) |
Reid A. Dunlop | ... | first assistant director (as Reid Dunlop) |
Avrel Fisher | ... | additional first assistant director |
Daniel Gold | ... | assistant director |
Elizabeth Lee | ... | assistant director: trailer |
Nathan Nugent | ... | second unit director |
Chris Ciosk | ... | daily assistant director (uncredited) |
Jonathan Gajewski | ... | assistant director (uncredited) |
Justin Gajewski | ... | first assistant director: second unit (uncredited) |
Art Department
Rob Ballantyne | ... | storyboard artist |
Natalie Beiruti | ... | art department trainee |
Paula Boleia | ... | buyer |
Jean Brophey | ... | on-set dresser |
Andra Fay Butler | ... | graphic designer |
Stephanie Chalmers | ... | set decoration buyer |
Robert Consiglio | ... | set dresser |
J.C. Cuthbert | ... | clearances coordinator (as JC Cuthbert) |
Garth Drunt | ... | buyer |
Vladislav Fedorov | ... | set designer |
Ron Gent | ... | lead man |
Michelle Haid | ... | assistant property master |
Simon March | ... | on-set dresser |
Jason McQuarrie | ... | assistant art director |
Kim Sison | ... | art department trainee |
Aaron Smith | ... | key scenic |
Winston Thorrington | ... | head carpenter |
Zac Ward | ... | construction coordinator |
Ehrling White | ... | painter |
Mike White | ... | property master |
Meredith Woodley | ... | 1st assistant art director |
Cindy Yetman | ... | props buyer |
Melissa K. Nicoll | ... | special props (uncredited) |
Sound Department
Peter Blayney | ... | additional sound editor |
Niall Brady | ... | dialogue editor / supervising sound editor |
Devin Doucette | ... | adr recordist |
Caoimhe Doyle | ... | foley artist |
Steve Fanagan | ... | re-recording mixer / sound designer |
James L. Fields | ... | foley artist |
Joshua Fielstra | ... | sound design: trailer music |
Eric Fitz | ... | sound mixer |
Ken Galvin | ... | re-recording mixer |
Ofer Geva | ... | boom operator |
Tyler Heath | ... | adr recordist |
Bill Higley | ... | adr recordist |
David Horton | ... | boom operator |
Christopher King | ... | cable puller (as Chris King) |
Sebastien Lacheray | ... | dialogue editor |
Howard London | ... | adr recordist |
Stephen Marian | ... | sound mixer |
Jean McGrath | ... | foley mixer |
Jon Vogl | ... | adr recordist |
Peter Blayney | ... | dialogue editor (uncredited) / foley editor (uncredited) |
Kristin Catuogno | ... | adr recordist (uncredited) |
Christopher Cleator | ... | adr mixer (uncredited) |
Mark Dolmont | ... | audio description mixer (uncredited) |
Steve Fanagan | ... | foley editor (uncredited) / sound effects editor (uncredited) |
Jonathan Reynolds | ... | foley assistant (uncredited) |
Justin Scott Wilson | ... | trailer re-recording mixer (uncredited) |
Special Effects by
Geoff Hill | ... | special effects coordinator |
Visual Effects by
Dave Axford | ... | on-set vfx supervisor |
Ed Bruce | ... | visual effects supervisor |
Alan Collins | ... | visual effects producer: Screen Scene |
Kenneth Coyne | ... | visual effects producer: Screen Scene |
Sarah Downey | ... | digital compositor: Screen Scene |
Riccardo Gambi | ... | digital compositor: Screen Scene |
Ronan Gantly | ... | digital compositor: Screen Scene |
Sammy Khalid | ... | digital matte painter: trainee |
Sophie Luto | ... | digital compositor: Screen Scene |
Michael McCarthy | ... | digital compositor: Screen Scene |
Robert Murray | ... | matchmover: Screen Scene (as Rob Murray) |
John O'Connell | ... | 3d supervisor: Screen Scene |
Eoin O'Sullivan | ... | digital compositor |
Levente Peterffy | ... | digital matte painter: Screen Scene |
Kevin Ryan | ... | fx artist: Screen Scene |
Felix Serwir | ... | digital compositor: Screen Scene |
Elias Spinn | ... | matchmover: Screen Scene |
David Thomas | ... | digital compositor: Screen Scene |
Greg Tully | ... | head of engineering: SSVFX |
Nicholas Murphy | ... | visual effects coordinator: Screen Scene (uncredited) |
Robert Murray | ... | digital compositor: Screen Scene (uncredited) |
Elias Spinn | ... | digital compositor: Screen Scene (uncredited) |
Stunts
Jean Frenette | ... | stunt coordinator |
Jean-Francois Lachapelle | ... | stunt coordinator |
Claire Stevens | ... | stunt performer |
Camera and Electrical Department
Arthur E. Cooper | ... | camera operator: "a" camera (as Arthur Cooper) |
Matt Currier | ... | electrician |
Dennis Daigle | ... | electrician |
Tex Entch | ... | grip (as Tex Entsch) |
Nick Fasullo | ... | grip |
Paul Howden | ... | key grip |
Sean Jordan | ... | best boy electric |
George Kerr | ... | gaffer |
George Kraychyk | ... | still photographer |
Dino Laurenza | ... | camera operator: "a" camera / steadicam operator |
Chris Livingstone | ... | dolly grip |
Stephan Maia | ... | second assistant camera: "b" camera |
David McKane | ... | first assistant camera: "b" camera (as Dave McKane) |
Svetoslav Mihaylov | ... | camera trainee (as Slavi Mihaylov) |
Kristin Mombourquette | ... | camera utility |
Bruce Morton | ... | generator operator |
Christopher Ross | ... | additional cinematography |
Chris Schillinger | ... | grip |
Nathan Schlueter | ... | assistant video assist |
Misha Snyder | ... | camera trainee |
Craig Steele | ... | best boy grip |
Dean Stinchcombe | ... | first assistant camera: "a" camera |
Paul Thompson | ... | video assist |
Adam Tupper | ... | second assistant camera: "a" camera |
Jasper Vrakking | ... | digital imaging technician |
Scott Wales | ... | lighting technician |
Max Armstrong | ... | second assistant camera (uncredited) |
Caitlin Cronenberg | ... | still photographer (uncredited) |
Graeme Potts | ... | additional camera operator (uncredited) |
Casting Department
Ashley Gray | ... | casting associate: Canada |
Jonathan Oliveira | ... | casting associate: Canada |
Jane Rogers | ... | extras casting |
Nick Butler | ... | casting assistant (uncredited) |
Catherine Gilchrist | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Sandra Ardagna | ... | costume truck supervisor |
Sarah Armstrong | ... | costume buyer |
Jody Hoel | ... | costume truck supervisor |
Minda Johnson | ... | assistant costume designer |
Jennifer Lantz | ... | costume set supervisor (as Jenn Lantz) |
Anita O'Toole | ... | costume breakdown |
Location Management
Kevin Allen | ... | location production assistant |
Don Cornelius | ... | location manager |
Adam Meaden | ... | assistant location manager |
Donnie Saville | ... | location production assistant |
Ron McKenzie | ... | location manager (uncredited) |
Music Department
Julia Buchheim | ... | music clearances |
Brian Byrne | ... | orchestrator |
Bryan Byrne | ... | orchestrator (as Brian Byrne) |
Damian Chennell | ... | orchestral recording engineer (as Damien Chennells) |
Mia Cooper | ... | orchestra leader |
Hugh Drumm | ... | music engineer |
Gearoid Grant | ... | conductor (as Gearóid Grant) |
Alan Kelly | ... | assistant music engineer / protools operator |
Anthony Long | ... | orchestra manager |
Richard McCullough | ... | assistant music engineer / protools operator |
Joe Rudge | ... | music creative consultant |
Gandhar Savur | ... | music clearances |
Volkan Öztürk | ... | music supervisor: piano virtuoso |
Script and Continuity Department
Carolyn Arbuckle | ... | script supervisor |
Transportation Department
Tim Carlton | ... | head driver |
Rob Knoop | ... | driver |
Allen Kosonic | ... | driver |
Uros Raickovic | ... | swamper |
Joseph Ramdath | ... | driver |
Elsa Scruton | ... | transportation coordinator (as Dee Dee Scruton) |
Jim Snell | ... | transportation captain |
Phil Wallace | ... | driver |
Dan Perry | ... | driver (uncredited) |
Gerry Woods | ... | driver (uncredited) |
Additional Crew
Annie Atkins | ... | title design |
Geraldine Atlee | ... | head of business affairs: Film4 |
Cassandra Barbour | ... | rights and clearances |
Lily Belete | ... | server |
Asunta Blair | ... | food stylist |
Eric Bodge | ... | Production Associate: No Trace Camping |
Jim Breithaupt | ... | Chief Financial Officer: No Trace Camping / production accountant (as James F. Breithaupt) |
John Briere | ... | consultant: trauma (as Dr. John Briere) |
Sue Bruce-Smith | ... | head of distribution & brand strategy: Film4 |
Mark Byrne | ... | head of business affairs: Element Pictures |
Donald Colafranceschi | ... | assistant production coordinator |
Alana Comeau | ... | production associate |
Marta Criado | ... | set production assistant |
Rebecca Daly | ... | post-production accountant |
Sherri Davis | ... | animal wrangler |
Sarah Dillon | ... | Production & Development Executive: Irish Film Board/Bord Scannán na hÉireann |
Andrea Eisen | ... | tutor |
Arthur Evrensel | ... | legal counsel |
Adam Feldberg | ... | tutor |
Rosanne Flynn | ... | development executive: Element Pictures |
Moselle Foley | ... | assistant: Ed Guiney & Andrew Lowe |
Claude Forest | ... | Insurance Broker |
Jonathan Gajewski | ... | set production assistant |
Justin Gajewski | ... | set production assistant |
Vincent Gallagher | ... | electronic press kit producer: Ireland |
Shirley Gaskin | ... | 3rd assistant accountant |
John P Gleeson | ... | financing and tax advisor (as John Gleeson) |
Daniel Gold | ... | set production assistant |
Jeff Gross | ... | epk producer: Canada |
Clare Halpenny | ... | post production trainee |
Paula Heffernan | ... | production executive: Element Pictures |
Roisin Henehan | ... | section 481 finance |
Daniel Horvat | ... | production accountant |
Julia Hutchison | ... | production assistant |
Noel Hylton | ... | production assistant |
Tracey Josephs | ... | head of production: Film4 |
Tom Leggett | ... | senior development editor: Film4 |
Doug Leoni | ... | stand-in |
Colby Leopard | ... | manager, marketing, publicity and distribution |
Lara McDonnell | ... | assistant: Ed Guiney & Andrew Lowe |
Teresa McGrane | ... | Deputy CEO: Irish Film Board/Bord Scannán na hÉireann |
Andrew G. Munro | ... | payroll accountant (as Andrew Munro) |
Emma Norton | ... | head of development: Element Pictures |
Gerardine O'Flynn | ... | production finance manager: Film4 |
Oisín O'Neill | ... | legal & business affairs executive: Irish Film Board/Bord Scannán na hÉireann |
Jonathan Pencharz | ... | production coordinator |
Jo Perez | ... | 2nd assistant accountant (as Joe Pérez) |
Milan Popelka | ... | Chief Operating Officer: FilmNation Entertainment |
Michelle Ramez | ... | 1st assistant accountant |
Nataliya Rodina | ... | stand-in |
Rena Ronson | ... | Sales Representative |
Hannah Saunders | ... | Marketing & Brand Executive: Film4 |
Emma Scott | ... | Production & Distribution Manager: Irish Film Board/Bord Scannán na hÉireann |
Lisa Shamata | ... | unit publicist |
Rohandeep Singh | ... | distribution/international sales |
Simone Steene | ... | stand-in (as Simone Steane) |
Polly Stokes | ... | creative executive: Film4 |
Peter Tighe | ... | post facilities manager: Screen Scene |
Ben Browning | ... | production executive (uncredited) |
Claude Forest | ... | insurance broker (uncredited) |
Diane Pitblado | ... | dialect coach: Brie Larson, pre-production (uncredited) |
Matthew Rosenberg | ... | vice president: Entertainment Finance at Union Bank (uncredited) |
James Sled | ... | firearms co-ordinator (uncredited) |
Lindsay Somers | ... | medical consultant (uncredited) |
Mark Stevens | ... | account manager (uncredited) |
Brad Wietersen | ... | stand-in: Tom McCamus (uncredited) |
Thanks
Nicolette Aizenberg | ... | special thanks |
Adriana Alberghetti | ... | the director would like to thank |
Glen Basner | ... | special thanks |
Chris Fioto | ... | special thanks |
Rachel Holroyd | ... | the director would like to thank |
Nicola McGahan | ... | special thanks |
Brian Nossokoff | ... | special thanks |
Victoria Owens | ... | special thanks |
Ortensia Palmerino | ... | special thanks |
Megan Park | ... | special thanks |
Anna Popio | ... | very special thanks |
Rena Ronson | ... | special thanks |
Noah Sacco | ... | special thanks |
Jack White | ... | special thanks |
Anne Woodward | ... | special thanks |
John Zois | ... | special thanks |
Production Companies
- Element Pictures
- Bord Scannán na hÉireann / The Irish Film Board (support)
- Film4 (support)
- FilmNation Entertainment
- No Trace Camping
- Ontario Media Development Corporation (OMDC)
- Téléfilm Canada
Distributors
- A24 (2015) (United States) (theatrical)
- StudioCanal UK (2015) (United Kingdom) (theatrical)
- Ascot Elite Entertainment Group (2015) (Switzerland)
- Elevation Pictures (2015) (Canada)
- IPA Asia Pacific (2015) (Thailand)
- Pinema (2015) (Turkey)
- Andes Films (2016) (Chile) (theatrical)
- Gaga (2016) (Japan) (theatrical)
- Maison Motion (2016) (Taiwan) (theatrical)
- Monolith Films (2016) (Poland) (theatrical)
- NOS Audiovisuais (2016) (Portugal) (theatrical)
- PVR Pictures (2016) (India) (theatrical)
- Pioneer Films (2016) (Philippines) (theatrical)
- Shaw Organisation (2016) (Singapore) (theatrical)
- Spentzos Films (2016) (Greece) (theatrical)
- United International Pictures (UIP) (2016) (Denmark) (theatrical)
- United International Pictures (UIP) (2016) (Norway) (theatrical)
- United International Pictures (UIP) (2016) (Sweden) (theatrical)
- United International Pictures (2016) (Argentina) (theatrical) (through)
- Universal Pictures Argentina (2016) (Argentina) (theatrical) (through United International Pictures)
- Universal Pictures International (UPI) (2016) (Germany) (theatrical)
- Universal Pictures International (UPI) (2016) (France) (theatrical)
- Universal Pictures International (UPI) (2016) (Italy) (theatrical)
- Universal Pictures International (UPI) (2016) (Mexico) (theatrical)
- Universal Pictures International (UPI) (2016) (Netherlands) (theatrical)
- Universal Pictures International (UPI) (2016) (Spain) (theatrical)
- Universal Pictures (2016) (Brazil) (theatrical)
- Vertigo Média Kft. (2016) (Hungary) (theatrical)
- The Blu (2016) (South Korea) (Blu-ray)
- Universal Pictures Home Entertainment (2016) (Argentina) (Blu-ray)
- Universal Pictures Home Entertainment (2016) (Argentina) (DVD)
- Universal Pictures Home Entertainment (2016) (Brazil) (Blu-ray)
- Universal Pictures Home Entertainment (2016) (Brazil) (DVD)
- Universal Pictures Home Entertainment (2016) (Germany) (Blu-ray)
- Universal Pictures Home Entertainment (2016) (Germany) (DVD)
- Universal Pictures Home Entertainment (2016) (Netherlands) (Blu-ray)
- Universal Pictures Home Entertainment (2016) (Netherlands) (DVD)
- CBC Gem (2017) (Canada) (video) (VOD)
- Canvas (2018) (Belgium) (tv)
- Net5 (2020) (Netherlands) (tv)
- HBO Max (2022) (United States) (video) (VOD)
Special Effects
- Screen Scene (visual effects)
- SSVFX (visual effects)
Other Companies
- William F. White International (grip and lighting equipment)
- Air-Edel Associates (music services)
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (acknowledgement)
- Chapman/Leonard Studio Equipment (camera dollies)
- LRX Lighting (grip and lighting equipment)
- Lakeshore Records (soundtrack)
- Line 21 Media Services (closed captioning)
- Line 21 Media Services (post-production script)
- Nabet 700 (acknowledgement)
- Nexus Canada (firearms provided by)
- Picturecars North (picture vehicle supplier)
- Pinewood Toronto Studios (studios)
- Post Haste Digital (post-production sound services)
- RTE Studios (music recorded at)
- RTÉ Concert Orchestra (orchestra)
- SAG-AFTRA (acknowledgement)
- SSVFX (owner: president & ceo ssvfx)
- Screen Scene (managing director)
- Soundtrack New York (ADR Facility)
- Toronto International Film Festival (festival)
- Visual Data Media Services (digital asset servicing)
Storyline
Plot Summary |
ROOM tells the extraordinary story of Jack, a spirited 5-year-old who is looked after by his loving and devoted mother. Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. Their life, however, is anything but typical--they are trapped--confined to a 10-by-10-foot space that Ma has euphemistically named "Room." Ma has created a whole universe for Jack within "Room," and she will stop at nothing to ensure that, even in this treacherous environment, Jack is able to live a complete and fulfilling life. But as Jack's curiosity about their situation grows, and Ma's resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world. Written by A24 |
Plot Keywords | |
Taglines | Love knows no boundaries See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
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Box Office
Budget | $13,000,000 (estimated) |
Cumulative Worldwide Gross | $36,262,783 |
Did You Know?
Trivia | Brie Larson isolated herself in her home for a month without a phone or internet and followed a strict diet to understand what Ma and Jack were going through. Larson has said that because she considers herself an introvert who prefers to stay at home, she thought that her month of isolation would be a vacation, but towards the last week, she became very depressed and would cry all day. See more » |
Goofs | As Jack is lying face-up, his head at the tailgate of the truck, he beholds the naked sky for the first time. The world is passing by - from top to bottom of the screen. This is exactly the opposite of how he would see it from his established perspective. See more » |
Movie Connections | Featured in Michael Fassbender/Brie Larson/CeeLo Green (2015). See more » |
Soundtracks | Bag Fight See more » |
Crazy Credits | In the "Special Thanks to" part of the credit, there's the name of Jack White, the guitarist and vocalist of the band The White Stripes, a poster of which can be seen in a scene in Joy's bedroom. See more » |
Quotes |
Jack:
I've been in the world 37 hours. I've seen pancakes, and a stairs, and birds, and windows, and hundreds of cars. And clouds, and police, and doctors, and grandma and grandpa. But Ma says they don't live together in the hammock house anymore. Grandma lives there with her friend Leo now. And Grandpa lives far away. I've seen persons with different faces, and bigness, and smells, talking all together. The world's like all TV planets on at the same time, so I don't know which way to look and listen. There's doors and... more doors. And behind all the doors, there's another inside, and another outside. And things happen, happen, HAPPENING. It never stops. Plus, the world's always changing brightness, and hotness. And there's invisible germs floating everywhere. When I was small, I only knew small things. But now I'm five, I know EVERYTHING! See more » |