The team discovers a sleeper agent with terrifying connections in the US military. Faced with a formidable foe who not only appears to be a traitor, but a trained spy with access to US bases, MI5 may...
Detective Inspector Jonah Gabriel returns to work after a botched operation that resulted in him sustaining a near-fatal bullet wound. It may be his first day back on the job but he's soon ... See full summary »
A chance romance between two men from very different worlds, one from the headquarters of the Secret Intelligence Service, the other from a world of clubbing and youthful excess, leads into mystery after one of them is found murdered.
In London, a naive young politician becomes a suspect when his female assistant and mistress is killed in a suspicious accident. The politician's investigative journalist friend and his team uncover a government conspiracy.
Starring Brian Cox, "The Game" is a 1970s Cold War spy thriller set in the world of espionage. It tells the story of the invisible war fought by MI5 as it battles to protect the nation from the threats of the Cold War.
Although set in 1970s London, the show was almost entirely shot in Birmingham. The MI5 headquarters building (both interiors and exteriors). was the recently closed Birmingham Central Library, a much criticised and largely unloved example of 1970s 'brutalist' architecture, which has now (as of 2016), been completely demolished as part of a major city redevelopment scheme. See more »
Call it a Le Carré light. MI5, spies and Cold War. Toby Whithouse, Sarah Dollard and Debbie O'Malley deliver 6 episodes of good fun and high entertainment full of suspense and surprise. Excellent mood and camera play, the viewer is convincingly cast back to a London of the 70's.
A tremendous performance from the entire cast especially Paul Ritter playing the hypocritical British public school creep! Worth watching if only for his performance and the exquisite interaction with his assistant the superb Chloé Pirrie (a touch naive, upright, loyal researcher).
The suspension of disbelief is perhaps called for to draw maximum enjoyment. The strength of the production rests chiefly on the convincing relationships fleshed out.
Why oh Why does the BBC have to nip above average productions in the bud. Xen is another example. It seems that the minute a viewer's brain is in any way engaged the Corporation pulls the plug out on it! Let's have some more please!
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