A group of Mexican emigrants attempts to cross the Mexican-US border. What begins as a hopeful journey becomes a harrowing, bloody and primal fight for survival when a deranged, rifle-toting vigilante and his loyal Belgian Malinois dog chase the group of unarmed men and women through the treacherous borderland. In the harsh, unforgiving desert terrain, the odds are stacked firmly against them as they discover there's nowhere to hide from the unrelenting, merciless killer.Written by
Jeffrey Dean Morgan and Lew Temple have appeared in The Walking Dead (2010). Temple played inmate Axel back in the prison episodes in season three, and Morgan plays Negan in season six and beyond. See more »
Sam has a truck, a dog and what appears to be a topographical map of the area where he's hunting. Since he can cover far more area, a great deal faster, than the people who he's hunting, why exactly is he chasing them? See more »
[reading from a book]
Leaving is a form of dying.
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TIFF 2015 -- Desierto: Running in the desert while being chased by a racist with a sniper
Gael García Bernal is one of many migrants who tries to cross into the United States in 'Desierto'. While he and many other migrants attempt to enter the United States via badlands and flat desert, the majority of them are picked off by a crazy, racist sniper. Bernal and a few others attempt to flee the crazy racist before they're left to rot in the desert.
This film pretty much had no script. What ever little dialogue it had wasn't terribly important, and the villain of the piece talked either to himself or his dog about getting out of the Hell that he lived in while near the border. This was confusing, considering how much he was defending his land from migrants, yet he wanted to leave the Hell that he was living in.
Also, when one watches a film in a packed theatre and people are laughing at important scenes, then either something was lost in translation, or the movie is a farce, and this movie wasn't lost in translation by any means. The villain was plain terrible.
At the Toronto International Film Festival, it won the the FIPRESCI Prize for Special Presentations. Feel like I need an explanation about this.
While it was shot in a decent way, one hopes that Jonás Cuarón pieces together a better script in the future.
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