Vendetta for the Saint

Roger Moore once commented that although The Saint was often set in exotic locations, he hardly ever left the studio. This edition is an exception. It was set in Sicily with plenty of outdoor action to prove it. Except it isn't. It was clearly filmed on the small, sunny island about 70 miles south of Sicily. Malta. Having been to Malta numerous times it was easy to spot many Maltese tourist attractions. As for the story this is a two parter put together to make one film. It sees our hero going after the next head of the Mafia, with the help, naturally, of two gorgeous women. It is entertaining enough, but for a double header the plot is a bit thin. As a child The Saint was my favourite show, and viewing them 50+ years later it is easy to mock the uncomplicated stories, poor production values and often wooden acting but I still love 'em.

The movie is a revenge movie starring Roger Moore, Ian Hendry, Rosemary Dexter, Aimi MacDonald and Maria Burke.

This is a revenge movie and a typical Dependent on Roger Moore and you will not get disappointed.

Acting of the central characters are good but support cast disappoints.

The movie is not long and is good. Direction is ok, screenplay is nice, location is again ok.

Overall a typical Roger Moore movie.

Simon Templar is on holiday in Naples when a small uproar on a lunch table draws his attention. An English tourist attempts to greet an Italian businessman as an old friend, but the Italian refuses to acknowledge the greeting and claims never to have met him.

The Vendetta for the Saint is a feature version of a two-part episode of THE SAINT, and it's quite an enjoyable watch. Roger Moore charismatically dons the halo as he takes on Ian Hendry, a fake mafia don, dodging a bomb device placed in his car, almost getting injected with scopolamine and running around the Palermo countryside hunted by Hendry's goons. There's some good fights, nice location. If you're fan of the Saint series, you would naturally like this.

When television shows becomes theatrical features, it's usually a cheat like in the case of THE SAINT two-part episode VENDETTA FOR THE SAINT, which, pieced together, becomes a 90-minute movie...

Although herein, there IS a kind of theatrical touch, for two reasons: villain Ian Hendry, as a mobster who was once someone else and now goes by a fake name while working as an aging/dying mob-boss's sophisticated, falsely-related henchman, is always great on both the big (GET CARTER) and small (THE AVENGERS to THE SWEENEY) screen...

But it's director Jim O'Connelly, mostly known for bringing Ray Harryhausen's dinosaurs to life in the novelty science-fiction western VALLEY OF GWANGI... before creating terrifically fast-paced theatrical noirish crime programmers THE TRAITORS, THE HI-JACKERS and SMOKESCREEN...

Moving Roger Moore along just the same in his career-making series that's otherwise mostly expository dialogue, here more action-oriented from beginning to end, getting in and out of trouble ranging from old antique dungeons to car chases and gun-play while protecting Hendry's gorgeously vulnerable pseudo-niece Rosemary Dexter and reluctant blonde mob moll Aimi MacDonald as, just as he would as 007, Moore's always perfect when traipsing around unexpected bulwarks at every turn.

Worth seeing because of Aimi MacDonald's beautiful body. And Rosemary Dexter was sweet. Ian Hendry was a very good actor (especially in Polanski's "Repulsion"), and Roger Moore had his unique charm.