Prim schoolteacher Miss Meadows (Katie Holmes) is not entirely what she appears. Well-mannered, sweet, and caring, yes, but underneath the candy-sweet exterior hides the soul of a vigilante, taking it upon herself to right the wrongs in this cruel world by whatever means necessary. Things get complicated, however, when Miss Meadows gets romantically entangled with the town sheriff (James Badge Dale) and her steadfast moral compass is thrown off, begging the question: "Who is the real Miss Meadows and what is she hiding?"Written by
The lead characters are often only referred to by their surname (Miss Meadows) or profession (Sheriff) but dialogue exchanges in the film reveal their first names to be Mary and Mike, respectively. See more »
In the first scene miss Meadows stops in front of a driveway. In the following shots she stands in three different places. See more »
Near bottom of end credits: The Polly Klaas Foundation wishes to thank Katie Holmes, Karen Leigh Hopkins and the producers of "Miss Meadows" for contributing to the Polly Klaas Foundation Artist in Residence Program - Helping Children to Explore and Engage in the Performing Arts. See more »
A tap dancing vigilante may seem an impossible idea to turn into a comprehensible script but somehow Karen Leigh Hopkins makes it work. The opening sequence of the film makes it clear that Miss Meadows (Holmes) is no ordinary school teacher cum vigilante, with victim number one clocked very early after the title sequence. Holmes does a great job of making Miss Meadows seem the epitome of eccentricity, with, apparently, carefully created, precisely drawn and meticulously manicured manners, even at the point of the kill.
Throughout the plot are moments of blissful dialogue intertwined with pauses, telling looks, and, it has to be said, the incongruous, but it does hang together if you stick with it. There are continuity blunders in more than one scene, and occasional poor editing, but these do not stop the film from being surprisingly engrossing. The acting is rather good too, especially from James Badge Dale (the Sheriff) and Ava Kolker (Heather). There are memorable scenes like dancing to an unseen and unheard accordion in a field which make this film a little like an old fashioned fairy tale or a fable, but the message is totally adult in content, and should leave you thoughtful by the end.
A film like few others which is going to be underrated and under exposed. It is better than it will score on places like 1Mbd.
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