Sinners

For years I've been emphasizing the importance of music in movies; how an amazing musical score can significantly elevate a movie. It shouldn't just be background dressing. It should be brought to the forefront. It should drive the story. It should be a character in itself. It should give you goosebumps in the big moments. Sinners is one of the best examples of this.

Aside from the music, I could tell I was watching high-quality filmmaking within five minutes. The directing, camerawork, editing, and sound design are pristine. The entire cast does a great job, but Michael B. Jordan shines. He is a superstar.

Sinners is also surprisingly funny, without taking away from the seriousness. And the horror elements are... satisfying. This movie goes hard.

Advice: Certain scenes have an expanded aspect ratio that will only be shown in IMAX. If you can't go to an IMAX, any premium screen will do (Dolby Cinema, UltraScreen, EMX, etc). This movie benefits more than most from the larger screen and louder speakers.

Also, I missed A LOT of the dialogue, you may want to ask for a closed caption device.

(1 viewing, opening night IMAX 4/17/2025)

Sinners is a historical horror directed by Ryan Coogler (Black Panther, Creed) which smartly combines the supernatural with the political.

The cinematography is stunning, which accurately captures the 1930s western vibes. While the movie starts pretty slow and takes time for the build up, it picks up in the second half by delivering a haunting experience. The movie often feels very lively due to it's musical numbers.

The film's fascinating array of genres and tropes and ideas swirls together, whether be it oppression of race, or preaching of good and evil. Jordan gives a great performance, while the rest of the cast were terrific too.

Although the horror element was less than my expectations, however the political satire and the tense atmosphere makes Sinners a great movie.

The Geek Reviewer gives 4 stars for 'Sinners'.

Director and writer Ryan Coogler shared that some of his most vivid cinematic memories come from watching horror films in theaters as a young man - experiences that sparked his deep love for cinema. According to him, "Sinners" is a kind of love letter to that feeling, crafted with the hope that viewers in theaters will experience the same thrill. And honestly? Mission accomplished.

"Sinners" is one of those films best experienced with as little prior knowledge as possible - we strongly recommend not reading anything, not watching trailers, and avoiding all conversations about it beforehand if you can. The film's plot flows with organic ease, taking unexpected and refreshing turns that hit especially well if you go in spoiler-free. So we'll steer clear of plot details here, too.

The initial inspiration behind the film came from Coogler's connection to his late uncle, James, who had a deep interest in music and history, particularly in the Mississippi blues tradition. James's stories and musical tastes left a lasting impression on Coogler and sparked the creative process that ultimately became this film. As you might guess, "Sinners"is at its core a musical film. Not in the sense of a musical or a movie with original songs woven in like "Django Unchained" - rather, music is part of "Sinners"' DNA. It's interwoven into the story, the characters, and the entire atmosphere, offering a unique lens on the culture, folklore, traditions, and struggles of the Black community in 1930s Mississippi.

The man behind the original score is the multi-talented Ludwig Göransson ("Oppenheimer", "Tenet", "Black Panther"), who, beyond being a top-tier music producer, continually reinvents himself with every project he touches. "Sinners" is no exception. In his relatively short but rich career, Göransson has produced electronic scores, orchestral compositions, and even rap and R&B. Here, he pivots once again - blending the score with musical production in an inspired exploration of the Blues and Country genres, in line with the film's tone. Traditional sounds, ambient textures, and gritty audio design are all used to balance the experience.

It's undoubtedly one of the finest soundtracks we've heard in recent years - one that elevates the film to another level. Göransson continues to prove himself as one of the most gifted musicians of our era, and it's no wonder that none other than Christopher Nolan chose him as his go-to composer, following Hans Zimmer. In "Sinners", the soundtrack also features live performances and original songs, and a separate album has even been released featuring both songs from the film and those inspired by it.

Visually, Coogler made a bold artistic choice - one reminiscent of cinema's greatest auteurs, like Nolan and Denis Villeneuve - to shoot the film using wide-format film stock, opting for analog cinematography. Specifically, the most grand and pure formats available: IMAX 15-perf 70mm and Ultra Panavision 70mm. This wasn't just an aesthetic decision, but an effort to merge the raw texture of classic cinema with the sheer visual power of modern technology - a symbolic gesture aligning with the themes the film explores. Coogler even sought guidance from Nolan himself, along with Emma Thomas, to master the use of these formats - not for bragging rights, but to amplify the film's emotional weight.

Another standout aspect of the film is the screenplay. It's written with a natural rhythm and flow, featuring smart, unexpected humor and effortlessly blending a range of genres. Coogler, who served as both writer and director, brings the script to life with mastery, drawing the best out of each genre he touches. Above all, his use of the IMAX format is impressively deliberate and effective.

Michael B. Jordan plays two distinct characters in the film - and not in a gimmicky or disconnected way. These characters interact constantly - they're twins - which makes for a serious acting challenge. Jordan rises to the occasion, and the visual effects team behind the scenes pulls it off beautifully, with impressive execution on every technical level. Visually, the film is nothing short of stunning.

Alongside Jordan, musician Miles Caton gives a remarkably strong performance in the second lead role. I was genuinely surprised to learn this was his first-ever acting role. Jack O'Connell is also outstanding, and the radiant Hailee Steinfeld dazzles on screen and delivers a compelling performance. While she doesn't sing in the film itself, she is featured on the movie's official soundtrack. Overall, the cast is excellent, and the chemistry is on point.

Every few months, there comes along an event film that simply must be seen - and "Sinners" is unquestionably one of them. It's one of the best films we've seen in recent memory: energetic, gripping, occasionally funny, with a sharp script, top-tier directing, brilliant performances, and musical ingenuity that stuns scene after scene. It has all the makings of a strong contender for film of the year. We highly recommend watching it in theaters - in the best auditorium you can find. IMAX, if possible, is absolutely the way to go.

Written by Dvir971 & Orr971.

Seeing a director have the courage to create a unique, visionary blend of two opposite genres is something you rarely see these days. And I love it. Southern America blues and vampires.

The standout here being the incredible soundtrack from no other than Ludwig Göransson. The sexy, bluesy tone is definitely my favourite thing of the film. It was the glue that kept the film going. The film was reminiscent of O'brother Where Art Thou with a healthy dose of From Dusk Till Dawn.

The patience in the first act to set up the thematic relationships and overall story was executed perfectly. Even though we all were expecting the "reveal" to come, the journey to get to that point was arguably the better part of the film.

What separates (and elevates) this film from your standard supernatural horror flick is the fact that the director chose to spend more time in the first act developing our and exploring our characters.

However, in saying this I do feel like the film in the end of the second and entire third act fell into the cliches that they vampire genre usually entails. The last minute sunrise for example or the character who knows all the ins-and-outs of killing a vampire.

I believe at this point the film lost a bit of spark that the first act patiently created.

I still love what Coogler did. The unique genre blend, soundtrack and setting is enough to warrant the praise.

Best film of 2025?

This movie was so good. It's cultural but still gives you that supernatural thrill. Each actor did their job correctly and the casting was superb. The plot wasn't exactly what I was expecting but the movie was great! The MUSIC though!! The music pulls something out of you and stirs something inside of you. I'll definitely be thinking about this movie for the next week! Can't wait to see it again. This was a great way to retell a piece of history with a supernatural flare. You just have to pay attention to the undertones. And there are two after credit scenes. One midway through and one afterwards.