Stephanie is a single mother with a parenting vlog who befriends Emily, a secretive upper-class woman who has a child at the same elementary school. When Emily goes missing, Stephanie takes it upon herself to investigate.
The story follows Rachel Chu (Wu), an American-born Chinese economics professor, who travels to her boyfriend Nick's (Golding) hometown of Singapore for his best friend's wedding. Before long, his secret is out: Nick is from a family that is impossibly wealthy, he's perhaps the most eligible bachelor in Asia, and every single woman in his ultra-rarefied social class is incredibly jealous of Rachel and wants to bring her down.Written by
Constance Wu was the first and only actress considered for the main role. The filming was even delayed to adapt to her schedule. See more »
When Nick asks Rachel to go to Singapore, he says "Singapore for Spring break". This would place the timing of the film between March and April of the calendar year. However, the Tan Hua (Queen of the Night Flower), which blooms on the second night after they arrive, only blooms between July and October. See more »
[Served with extravagant dinner portions at the family table, Rachel is eating rather modestly at Peik Lin Goh's parents house]
Don't stand on ceremony, Rachel. This is simple food, lah.
Wye Mun Goh:
Ha, cha-cha-cha. Dooon't beeee shyyyy!
[hands Rachel a giant platter of food]
Wye Mun Goh:
You're not a model.
I am definitely not.
Wye Mun Goh:
No, you're not! Not at all, you're far from it.
Wye Mun Goh:
And make sure ya eat it all cuz I'm watching you.
[...] See more »
There's a mid-credit scene in which Astrid exchanges glances with a man. See more »
In Australia; the film was passed uncut with an M rating for coarse language. The filmmakers then opted to reduce the language in the film in order to obtain a PG classification. See more »
Material Girl (200 Du)
Written by Peter H. Brown (as Peter Brown) and Robert Rans
Performed by Sally Yeh
Courtesy of Warner Music Hong Kong Ltd.
By arrangement with Warner Music Group Film & TV Licensing See more »
As I was going to the movies the other night to see BlackkKlansman, a woman stopped me. She was an Asian woman. She looked at me sheepishly and said, "Pardon me, I've never been to the movies before. Would you help me buy my ticket?" I assisted her on the machine. She was so grateful, smiled, and shook my hand as she walked into her showing of Crazy Rich Asians. This is why minority representation in Hollywood is important.
Crazy Rich Asians tells the classic Cinderella story and takes it to modern times. Boy meets girl, girl falls in love with boy, boy turns out to be rich as hell. The film indulges in all of the luxuries from Kevin Kwan's novel, on which the film is adapted. There's the first class flights, the expensive weddings, and other various obvious showings of that great Asian wealth that Yeung family has procured. The real twist here is that the film features the first all Asian cast in a Hollywood film in over 25 years.
Crazy Rich Asians opens brilliantly with the perfect middle finger to all of the racism and backlash it has received. A racist hotel manager refuses to believe that the Yeung family has enough money to stay in the hotel. It shows the family scared, all huddle in the phone booth outside as rain falls upon them. When the family returns, entirely drenched, they are now the owners and proprietors of the hotel, as Eleanor Young (Micheel Yeoh) smiles to the audience. It is the perfect opening to a film that takes on such a difficult yet amazing task of inclusion and diversity.
The film has its moments of absolute brilliance as previously mentioned. Seeing Asian culture and sensibilities portrayed in such an honorable and non-stereotypical way is refreshing. However, the film failed to escape from the classic romantic comedy tropes that we have seen time and times again as viewers. The leading lady is pretty, but not gorgeous. She is insecure about how she presents to her boyfriend, who is ungodly attractive and has been with tons of beautiful, yet interpersonally unappealing women. He finds the one he wants, despite their differences in social class and standing. All along the way, the girl is increasing her external beauty, as a total loss of complete feminism. This tells the female viewer that if you aren't wearing the right clothes, and look the part, you have no success at love. All along the way, the oddball, yet humorous and encouraging friend steals every scene as the far more interesting and in-depth character. This isn't to say that Awkwafina isn't absolutely brilliant at her role, and doesn't have one of the brightest young futures of anyone in show business, but it feels overplayed.
The madcap insanity of this movie, followed by its basic poignancy is something to be appreciated. The film has been a smash hit at the box office, proving that diversity really does sell. Pay attention, Hollywood! Overall, Crazy Rich Asians is an enjoyable movie, but no great feat to write home about.
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