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Història de la meva mort (2013)

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2:17 | Trailer
Famous lover Casanova now long past his prime, meets Count Dracula during a journey to Transylvania.

Director:

Albert Serra

Writer:

Albert Serra
2 wins & 4 nominations. See more awards »

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Cast

Cast overview:
Vicenç Altaió ... Casanova
Lluís Serrat ... Pompeu
Eliseu Huertas ... Dràcula
Noelia Rodenas Noelia Rodenas ... Delfina
Clara Visa Clara Visa ... Clar
Montse Triola Montse Triola ... Carmen
Mike Landscape Mike Landscape ... Poeta
Lluís Carbó Lluís Carbó ... Senyor
Clàudia Robert Clàudia Robert ... Noia
Xavier Pau Xavier Pau ... Pare
Floarga Dootz Floarga Dootz ... Mare
Rosa Tharrats Rosa Tharrats ... Noia
Sebastián Vogler Sebastián Vogler ... Jugador
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Storyline

Famous lover Casanova now long past his prime, meets Count Dracula during a journey to Transylvania.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Spain | France | Romania

Language:

Catalan

Release Date:

23 October 2013 (France) See more »

Also Known As:

História da Minha Morte See more »

Filming Locations:

France See more »

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Box Office

Budget:

€1,300,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Soundtracks

Trill
Written by Marc Verdaguer
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User Reviews

 
The everlasting question of Love and Death
3 April 2016 | by wobelixSee all my reviews

Director Albert Serra did miracles with Don Quixote and the Three Magi, and dares to juxtapose Casanova and Dracula in this thrilling film. Choosing a leisurely pace, so we can ponder and think while we are watching, the story unfolds and becomes more and more dark. Why does Casanova laughs so much, and why is he almost always in the shades or in the dark, where Dracula can walk around in the sunlight ? This film raises many questions and we are allowed to answer them ourselves, Albert Serra does not dictate anything.

There is no gore, even the bite marks and blood by the vampires are sheer poetry, but the film crawls under the skin. Music is spot on and never in the way of the story.

Lighting is breathtaking. Or better: the lack of lighting... Based on the experiments of our Peers Nestor Almendros and John Alcott, d.o.p. Jim Gimferrer dares to go all the way in low key lighting. It is truly magnificent.

What a film !!


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