16-year-old Billie's reluctant path to independence is accelerated when her mother reveals plans to gender transition and their time together becomes limited to Tuesday afternoons.


Sophie Hyde


Matthew Cormack (screenplay), Matthew Cormack (story) | 1 more credit »
10 wins & 20 nominations. See more awards »





Cast overview, first billed only:
Tilda Cobham-Hervey ... Billie
Sam Althuizen Sam Althuizen ... Josh
Imogen Archer Imogen Archer ... Jasmine
Del Herbert-Jane Del Herbert-Jane ... James
Beau Travis Williams Beau Travis Williams ... Tom
Mario Späte Mario Späte ... Harry
Greg Marsh Greg Marsh ... Psychiatrist
Audrey Mason-Hyde Audrey Mason-Hyde ... Frida
Danica Moors Danica Moors ... Lisa
Sam Harding Sam Harding ... Peepshow Dancer
Daisy Brown Daisy Brown ... Woman in Tom's Bed
Clare Matthews Clare Matthews ... Shop Assistant
Susan Hyde Susan Hyde ... School Principal Susan Darcy
Susie Skinner Susie Skinner ... Jasmin's Mother
Astrid Pill Astrid Pill ... Josh's Mother


16-year-old Billie's reluctant path to independence is accelerated when her mother reveals plans to gender transition and their time together becomes limited to Tuesday afternoons.

Plot Summary | Add Synopsis


One day a week, every week for a year See more »




Not Rated | See all certifications »

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Did You Know?


Filmed over 52 consecutive Tuesdays with the non-profesional cast being given their scripts one week at a time. See more »


James: A year is a long time especially at your age.
See more »


Featured in 52 Tuesdays: Gag Reel (2014) See more »


1000 Yrs
Written/Composed by T. Mortimer, S. Hartshorne, I. Dalrymple
Performed by Subtract S
Recorded by Matthew Hills
Hillside Recordings and Rehearsals
See more »

User Reviews

Good performances, abhorrent characters, disjointed narrative
17 April 2014 | by adrianrobertson1975See all my reviews

Billie (Tilda Cobham-Hervey) is a sixteen-year-old school student. Her mother (Del Herbert-Jane) announces plans to undergo gender transition. More significantly, she forces Billie out of the house and Billie must live solely with her father. Her contact with her mother is restricted to Tuesdays after school. This upsets Billie, who decides to keep a video diary.

52 TUESDAYS is less about gender transition and more about neglecting a child. Whatever turmoil the mother faces with gender change should be secondary to her responsibility as a parent. But her daughter's not as important to her and she unfairly forces her out of her own home, while allowing the older brother to stay. Billie, unsupervised, experiments sexually with two older students, videotaping the explicit experiences.

Apart from the fine performances from the actors, all of them first-timers, there's not a lot to like in this rather bleak Australian film. The characters are obnoxious, they're the type of people I go to great lengths to avoid. Billie has no respect for others, the way she speaks to her father and opens her mother's mail. And her irresponsible mother clearly has no respect for Billie. The story has no direction, just one Tuesday after the next, the date presented as a title card over news footage of world events. Clever, but this constant interruption breaks the narrative flow and makes the film disjointed.

Sophie Hyde is the director. She produced the highly-amusing documentary SHUT UP LITTLE MAN! and it's a shame she can't bring some humour to this film, her first drama feature.

Films centred on gender transition are important and should be made. It's a very real issue affecting a lot of people. In 1999 we had Kimberly Peirce's excellent BOYS DON'T CRY, featuring a standout performance from Hilary Swank.

But 52 TUESDAYS, sadly in the tradition of so many other Australian films, is depressing, plodding, vulgar and aimless.

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Release Date:

1 May 2014 (Australia) See more »

Also Known As:

52 Tuesdays See more »


Box Office

Cumulative Worldwide Gross:

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Company Credits

Production Co:

Closer Productions See more »
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Technical Specs




Aspect Ratio:

2.35 : 1
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