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Kollektivet (2016)

Not Rated | | Drama | 19 May 2017 (USA)
2:40 | Trailer

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A story about the clash between personal desires, solidarity and tolerance in a Danish commune in the 1970s.


5 wins & 20 nominations. See more awards »





Credited cast:
Lars Ranthe ...
Elegant Gentleman
Helene Reingaard Neumann ...
Lise Koefoed ...
Make-up artist
Martha Sofie Wallstrøm Hansen ...
Ulver Skuli Abildgaard ...
Oliver Methling Søndergaard ...
Jytte Kvinesdal ...
Kirsten, DR employee
Anne Gry Henningsen ...


A story about the clash between personal desires, solidarity and tolerance in a Danish commune in the 1970s.

Plot Summary | Plot Synopsis


You Choose Your Family




Not Rated | See all certifications »

Parents Guide:




| |


Release Date:

19 May 2017 (USA)  »

Also Known As:

Komuna  »

Filming Locations:


Box Office

Opening Weekend USA:

$9,249, 19 May 2017, Limited Release

Gross USA:

$38,265, 23 June 2017
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
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Did You Know?


The film is based on Thomas Vinterberg's play of the same name, which is inspired by his colourful childhood in an academic commune north of Copenhagen. See more »


Erik: 450 square meters is too big. The difference between living together and not is that you can feel, see and hear each other.
Anna: Or perhaps living in a small place makes you small-minded
See more »


Join Together
By Pete Townshend
Performed by Morten Woods & Frank Birch Pontoppidan
See more »

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User Reviews

Life in community is possible?
10 October 2016 | by See all my reviews

Kollektivet (original title) or The Commune (English title), the new movie from director Thomas Vinterberg (known for Festen - The Celebration - 1998, Submarine - 2010 and Jagten - The Hunt - 2013), one of the founders of the film movement Dogme 95, which seeks to create a more realistic and less commercial cinema, deals with a family in the 70s, formed by the father Erik (played by Ulrich Thomsen, known for Festen - The Celebration - 1998 and Adams æbler - Adam's Apples - 2005), the mother Anna (represented by Trine Dyrholm, known for Festen - The Celebration - 1998 and DeUsynlige - Troubled Water - 2008) and the daughter Freja (played by Martha Hansen). Erik inherits the house of his family after the death of his father, but considering it very large and with high maintenance costs he is willing to sell it. However, his wife convinces him to turn the house into a kind of community, inviting some friends and even interviewing strangers to share the house and to help pay the bills. Living in a group, like a big family, they have dinners, parties and regular meetings so that important matters are made democratically. But the utopia around this experiment begins to be questioned when a love affair shakes the small community.

Kollektivet hits to portray very well the time when the story takes place: the 70s in Copenhagen. The production design, costumes and characters's characterization, expressed by the clothes, hair and costumes, confer credibility and immerse the viewer in the plot. But the film errs for not develop enough the characters that are not part of the central plot. The director should have further explored the group in conflict scenes and the writer could have better elaborated the difficulties of social life that are inherent to a life in a community. As it was written the supporting actors add little to the story and the parallel plot of Freja's journey into adulthood opposed to the reflection of everything that happens within the community deserved to be better developed.

The big highlight is the actress Trine Dyrholm, who received the Silver Bear for Best Actress at the Berlin Film Festival this year for her excellent performance. The most dramatic scenes and the strongest blows that we took in the feature film are starred by her character, Anna, a television news presenter. The actress representation convinces not only because her ability to express emotions in times of joy or in the darkest moments, but by the naturalness of interpretation, which makes the viewer forget that it's just a role play.

Convivial challenges can be overcome? To what extent a community project should override the individual interests? What is more important: the individual or the collective? Life in community is possible? These are some of the questions that The Commune tries to address, but ends up doing superficially. Director Thomas Vinterberg had talent to produce a film with a final result much better than he produced.

Originally posted in: https://vikingbyheart.blogspot.com.br

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