Erik, a lecturer in architecture, inherits his father's large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.Written by
Thomas Vinterberg wrote the part of Emma specifically for Helene Reingaard Neumann, his wife in real life. Emma is a mirror version of Anna (played by Trine Dyrholm. Vinterberg and Neumann began a relationship on the set of When a Man Comes Home (2007), when Vinterberg was married to Maria Walbom. Vinterberg told in interview with The Globe and Mail in May 2017 that he had to be fair to the women of this film, he had to be sharing with them and deliver the ugly sides of being a man. See more »
The signs on the bus stops were not introduced until the late 80's or 90's. See more »
I'm going to hold on to you for the rest of my life.
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An interesting, exotic, intense story that is not truly engaging
Less difficult to watch then The Hunt or Festen, Thomas Vinterberg's Kollektivet (The Commune) impresses with great cinematography and how successfully it seems to reconstruct the details of the sixties and seventies fashion in Copenhagen, Denmark. But at the same time, it fails to deliver a truly engaging story. It's an interesting story, it's an exotic story, but the situations presented are so unfamiliar for someone who hasn't even considered living in a commune that it simply makes the plot hard to relate to. The Danish director apparently grew in a commune, but that doesn't mean that the story is autobiographical. However, it is pretty obvious that such a subject couldn't be presented so convincingly by someone without the experience of living in a commune. European movies are more and more something of an alternative cinema treat and this movie is a quite a delight from that perspective. The alternative lifestyle of the protagonists is presented in such detail that it doesn't seem forced or artificial. Most of the characters have strong personalities, but these are kind of ignored, as the pace is too quick to stop for them. Ultimately, what truly sticks out in your memory hours even after watching the movie is a very sad love story. A story about allowing extreme changes to your lifestyle and then having to bear all the consequences, with all the associated happiness and tears. "Maybe this is what people use to do in the Northern parts of Europe, I don't know what to say" was the first reaction of someone in the audience that I overheard at the European Film Festival, after the Bucharest opening screening. I kind of agreed. It is quite difficult to relate to a movie about an extreme leftist commune from Denmark. However, if you like strange stories that show with great talent a historical time and place, then The Commune is something you might fully appreciate. Yes, the action could also take place in a more modern setting, as the world is full of communes. However, what really makes this movie watchable is the love invested in recreating the look & feel of a defunct 20th century decade as seen and felt in a Northern Europe capital by a truly talented and hard- working director.
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