6.9/10
34,333
124 user 241 critic

Suffragette (2015)

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In 1912 London, a young working mother is galvanized into radical political activism supporting the right for women to vote, and is willing to meet violence with violence to achieve this end.

Director:

Sarah Gavron

Writer:

Abi Morgan
17 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anne-Marie Duff ... Violet Miller
Grace Stottor ... Maggie Miller
Geoff Bell ... Norman Taylor
Carey Mulligan ... Maud Watts
Amanda Lawrence ... Miss Withers
Shelley Longworth Shelley Longworth ... Miss Samson
Adam Michael Dodd Adam Michael Dodd ... George Watts
Ben Whishaw ... Sonny Watts
Sarah Finigan ... Mrs Garston
Drew Edwards ... Male Laundry Worker
Lorraine Stanley ... Mrs Coleman
Romola Garai ... Alice Haughton
Adam Nagaitis ... Mr Cummins
Helena Bonham Carter ... Edith Ellyn
Finbar Lynch ... Hugh Ellyn
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Storyline

A drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality - their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and visceral as any thriller, it is also heart-breaking and inspirational. Written by Production

Plot Summary | Plot Synopsis

Taglines:

Women unite. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some intense violence, thematic elements, brief strong language and partial nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site | Official site [Japan] | See more »

Country:

UK | France

Language:

English

Release Date:

12 October 2015 (UK) See more »

Also Known As:

Las Sufragistas See more »

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$76,244, 23 October 2015, Limited Release

Gross USA:

$4,693,356, 10 January 2016
See more on IMDbPro »

Company Credits

Production Co:

Ruby Films, Pathé, Film4 See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS

Color:

Color | Black and White (archive footage)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Carey Mulligan didn't wash her hair for weeks during the shoot and wore very little make up to give her character a real feel. See more »

Goofs

The first time that Brendan Gleeson interviews Carey Mulligan, Brendan's hands are resting on the table between them. You can see the watch on his left wrist, visible under his cuff. Wrist watches did not become popular for men until during/after the Great War (1914-1918). See more »

Quotes

Maud Watts: You a suffragette, Mrs. Ellyn?
Edith Ellyn: Yes, well I consider myself more a soldier, Mrs Watts.
See more »

Connections

Featured in 74th Golden Globe Awards (2017) See more »

Soundtracks

March of the Women
By Ethel Smyth and Cicely Hamilton
Publisher: Chester Music Ltd trading as J Curwen and Sons
See more »

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User Reviews

 
Despite its limitations, this is a finely crafted British film
11 February 2016 | by CineMuseFilmsSee all my reviews

It can be risky critiquing a film homage to heroines of feminism, especially one with a star cast that includes Carey Mulligan, Helena Bonham Carter, Ben Whishaw and a Meryl Streep cameo. Respect for the cause, however, does not guarantee respect for the film, and this one chooses a very limited lens with which to view this episode of history. It does have high production values, narrative authenticity and sensitivity for the feminist struggle in early 20th century Britain. But it gets lost in balancing the broader sweep of history that shapes gender relations and the impact of particular individuals.

The story line is uni-linear, the atmosphere dark and claustrophobic, and much of the acting is melodramatic, with long close-ups of Mulligan's finely nuanced expressions recording her progress from an abused laundry worker to what today would be called a radicalised political terrorist. The historical lens is so myopic that you could walk away believing the vote was won by a few protesting women, the bombing of some public letterboxes and a suffragette who threw herself under the King's horse. No more struggle…job done! Of course, that is not true and the struggle continues.

Despite these limitations, it's a finely crafted British film. The fictional heroine Maude Watts is an avatar for the British working class women who risked everything, including their lives, in fighting for the vote. Men of all classes are the demons of this tale, and one of its chilling insights is how the most dangerous enemies of suffragettes were husbands. Patriarchal governments left it to ordinary menfolk to sort out their unruly women in an era where wives were legally subordinate to husbands. Maude's contempt for her treatment at work and home propels her into the swirling orbit of violent protest where "war is the only language men listen to". Evicted by her husband for shaming him, she is left with nothing; by law, even her son was her husband's property. During the struggles, over one thousand British women were imprisoned and treated shamefully, a fact only acknowledged in the film's closing credits. Admittedly, historical judgement is difficult to translate into cinematic language, but many films have done it better. If you are interested in the history of feminist struggle from the viewpoint of the small people who made up the bigger story you will like this film.


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