In 1912 London, a young working mother is galvanized into radical political activism supporting the right for women to vote, and is willing to meet violence with violence to achieve this end... Read allIn 1912 London, a young working mother is galvanized into radical political activism supporting the right for women to vote, and is willing to meet violence with violence to achieve this end.In 1912 London, a young working mother is galvanized into radical political activism supporting the right for women to vote, and is willing to meet violence with violence to achieve this end.
- Awards
- 17 wins & 21 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was the first film that was allowed to be shot in the British Houses of Parliament since the 1950s.
- GoofsAt one point, runners in The Derby are shown running right-handed. Epsom is a left-handed racecourse.
- Quotes
Violet Miller: You want me to respect the law? Then make the law respectable.
- ConnectionsFeatured in Celebrated: Meryl Streep (2015)
- SoundtracksMarch of the Women
By Ethel Smyth and Cicely Hamilton
Publisher: Chester Music Ltd trading as J Curwen and Sons
Featured review
Years ago the BBC did a series SHOULDER TO SHOULDER (1974) that told the story of the origins and development of the Women's Movement in Britain, with special attention paid to the WSPU (Women's Social and Political Union).
Sarah Gavron's film revisits the same territory as it tells the story of the gradual awakening of Maud Watts (Carey Mulligan) as she sets her marriage and family aside in favor of the Women's Movement. The crux of the action centers around the death of Emily Wilding Davison (Natalie Press) at the 1913 Derby, as she stepped out in front of the horses finishing the race and was crushed to death.
In view of the film's earnestness of purpose, it seems a shame to criticize it. However there are certain jarring elements that do stand out. Abi Morgan's screenplay seems uncertain whether to focus on the political or the familial elements. Maud's husband Sonny (Ben Whishaw) is just too placid a personality to become truly angry about his wife's decision to embrace the Suffagette cause, and the emotional scene where he decides to let his son George (Adam Michael Dodd) to for adoption is straight out of KRAMER VS. KRAMER.
Director Gavron seems too concerned with showing tight close-ups of Mulligan's face as she struggles her way through a dead-end job at the local laundry. Hence we get little sense of the slave-like existence pursued by most working-class women at that time. Meryl Streep, in the cameo of role of Emmeline Pankhurst, simply reprises her Margaret Thatcher turn in THE IRON LADY (2011).
On the other hand, the film does have its moments, especially when Maud goes to the Houses of Parliament and ends up talking about her life in front of David Lloyd George (Adrian Schiller). We get the sense of how much courage it takes to speak up in front of a group of unsympathetic middle-aged men. Helena Bonham Carter is quite surprisingly good as Edith Ellyn, especially in a sequence where she and her co- conspirators plan to blow up a private property constructed for Lloyd George's personal pleasure. The way Edith grinds up the gunpowder reveals her inherent anger at the ways in which women are treated.
The ending is also powerful, as Gavron fades out from the film into faded black-and-white films of Emily Davison's actual funeral taken in 1913. Through this technique we are made aware of the film's importance to an understanding of British social history.
Sarah Gavron's film revisits the same territory as it tells the story of the gradual awakening of Maud Watts (Carey Mulligan) as she sets her marriage and family aside in favor of the Women's Movement. The crux of the action centers around the death of Emily Wilding Davison (Natalie Press) at the 1913 Derby, as she stepped out in front of the horses finishing the race and was crushed to death.
In view of the film's earnestness of purpose, it seems a shame to criticize it. However there are certain jarring elements that do stand out. Abi Morgan's screenplay seems uncertain whether to focus on the political or the familial elements. Maud's husband Sonny (Ben Whishaw) is just too placid a personality to become truly angry about his wife's decision to embrace the Suffagette cause, and the emotional scene where he decides to let his son George (Adam Michael Dodd) to for adoption is straight out of KRAMER VS. KRAMER.
Director Gavron seems too concerned with showing tight close-ups of Mulligan's face as she struggles her way through a dead-end job at the local laundry. Hence we get little sense of the slave-like existence pursued by most working-class women at that time. Meryl Streep, in the cameo of role of Emmeline Pankhurst, simply reprises her Margaret Thatcher turn in THE IRON LADY (2011).
On the other hand, the film does have its moments, especially when Maud goes to the Houses of Parliament and ends up talking about her life in front of David Lloyd George (Adrian Schiller). We get the sense of how much courage it takes to speak up in front of a group of unsympathetic middle-aged men. Helena Bonham Carter is quite surprisingly good as Edith Ellyn, especially in a sequence where she and her co- conspirators plan to blow up a private property constructed for Lloyd George's personal pleasure. The way Edith grinds up the gunpowder reveals her inherent anger at the ways in which women are treated.
The ending is also powerful, as Gavron fades out from the film into faded black-and-white films of Emily Davison's actual funeral taken in 1913. Through this technique we are made aware of the film's importance to an understanding of British social history.
- l_rawjalaurence
- Feb 5, 2016
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Las sufragistas
- Filming locations
- Harpenden, Hertfordshire, England, UK(on location)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $4,702,420
- Opening weekend US & Canada
- $76,244
- Oct 25, 2015
- Gross worldwide
- $31,972,096
- Runtime1 hour 46 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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