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Suffragette (2015)

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In 1912 London, a young working mother is galvanized into radical political activism supporting the right for women to vote, and is willing to meet violence with violence to achieve this end.

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16 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Violet Miller
... Maggie Miller
... Norman Taylor
... Maud Watts
... Miss Withers
Shelley Longworth ... Miss Samson
Adam Michael Dodd ... George Watts
... Sonny Watts
... Mrs Garston
... Male Laundry Worker
... Mrs Coleman
... Alice Haughton
... Mr Cummins
... Edith Ellyn
Finbar Lynch ... Hugh Ellyn
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Storyline

A drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality - their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and visceral as any thriller, it is also heart-breaking and inspirational. Written by Production

Plot Summary | Plot Synopsis

Taglines:

Never give up See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some intense violence, thematic elements, brief strong language and partial nudity | See all certifications »

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Details

Official Sites:

Official site | Official site [Japan] |  »

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Release Date:

12 October 2015 (UK)  »

Also Known As:

Las Sufragistas  »

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$76,244, 23 October 2015, Limited Release

Gross USA:

$4,693,356, 10 January 2016
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Company Credits

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Technical Specs

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| (archive footage)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The investigation of the suffragette movement was the first instance of law enforcement using photo surveillance of persons of interest. See more »

Goofs

At one point, runners in The Derby are shown running right-handed. Epsom is a left-handed racecourse. See more »

Quotes

[last lines]
Maud Watts: And reason, said to her, "Silence. What do you hear?" And she said, "I hear the sound of feet. A thousand times, ten thousands of thousands of thousands and they beat this way." They are the feet of those that shall follow you. Lead on.
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Connections

Featured in Inside Suffragette (2016) See more »

Soundtracks

March of the Women
By Ethel Smyth and Cicely Hamilton
Publisher: Chester Music Ltd trading as J Curwen and Sons
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User Reviews

 
Re-Telling of a Seminal Moment in British Women's History
6 February 2016 | by See all my reviews

Years ago the BBC did a series SHOULDER TO SHOULDER (1974) that told the story of the origins and development of the Women's Movement in Britain, with special attention paid to the WSPU (Women's Social and Political Union).

Sarah Gavron's film revisits the same territory as it tells the story of the gradual awakening of Maud Watts (Carey Mulligan) as she sets her marriage and family aside in favor of the Women's Movement. The crux of the action centers around the death of Emily Wilding Davison (Natalie Press) at the 1913 Derby, as she stepped out in front of the horses finishing the race and was crushed to death.

In view of the film's earnestness of purpose, it seems a shame to criticize it. However there are certain jarring elements that do stand out. Abi Morgan's screenplay seems uncertain whether to focus on the political or the familial elements. Maud's husband Sonny (Ben Whishaw) is just too placid a personality to become truly angry about his wife's decision to embrace the Suffagette cause, and the emotional scene where he decides to let his son George (Adam Michael Dodd) to for adoption is straight out of KRAMER VS. KRAMER.

Director Gavron seems too concerned with showing tight close-ups of Mulligan's face as she struggles her way through a dead-end job at the local laundry. Hence we get little sense of the slave-like existence pursued by most working-class women at that time. Meryl Streep, in the cameo of role of Emmeline Pankhurst, simply reprises her Margaret Thatcher turn in THE IRON LADY (2011).

On the other hand, the film does have its moments, especially when Maud goes to the Houses of Parliament and ends up talking about her life in front of David Lloyd George (Adrian Schiller). We get the sense of how much courage it takes to speak up in front of a group of unsympathetic middle-aged men. Helena Bonham Carter is quite surprisingly good as Edith Ellyn, especially in a sequence where she and her co- conspirators plan to blow up a private property constructed for Lloyd George's personal pleasure. The way Edith grinds up the gunpowder reveals her inherent anger at the ways in which women are treated.

The ending is also powerful, as Gavron fades out from the film into faded black-and-white films of Emily Davison's actual funeral taken in 1913. Through this technique we are made aware of the film's importance to an understanding of British social history.


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