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The Editor (2014)

A film editor gets embroiled in a string of murders.
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Cast

Cast overview, first billed only:
Paz de la Huerta ... Josephine Jardin
Adam Brooks Adam Brooks ... Rey Ciso
Matthew Kennedy Matthew Kennedy ... Peter Porfiry
Conor Sweeney Conor Sweeney ... Cal Konitz
Udo Kier ... Dr. Casini
Laurence R. Harvey ... Father Clarke
Jerry Wasserman ... Police Chief O'Connor
Samantha Hill ... Bella
Kevin Anderson Kevin Anderson ... Francesco Mancini
Brett Donahue ... Claudio Berti
Tristan Risk ... Veronica
Dan Bern Dan Bern ... Umberto Fantori
Sheila Campbell Sheila Campbell ... Margarit Porfiry (as Sheila E. Campbell)
Brent Neale Brent Neale ... Giancarlo Gallo
Jasmine Mae Jasmine Mae ... Jasmine Rain
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Storyline

Rey Ciso was once the greatest editor the world had ever seen. Since a horrific accident left him with four wooden fingers on his right hand, he's had to resort to cutting pulp films and trash pictures. When the lead actors from the film he's been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up in this absurdist giallo-thriller as Rey struggles to prove his innocence and learn the sinister truth lurking behind the scenes.

Plot Summary | Plot Synopsis

Genres:

Comedy | Horror | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Canada

Language:

English

Release Date:

18 October 2014 (USA) See more »

Also Known As:

Montazysta See more »

Filming Locations:

Winnipeg, Manitoba, Canada See more »

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Box Office

Budget:

CAD 130,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

A newspaper report says local father raped and burned to death. This links to the movie Fathers Day which is also by Astron-6 See more »

Connections

Spoofs The Shining (1980) See more »

Soundtracks

Fire Switch
Written by Trevor Tuminski and Norman Orenstein (SOCAN) Performed by Trevor Tuminski and Norman Orenstein
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User Reviews

 
The Editor
14 November 2015 | by ArgemalucoSee all my reviews

The Canadian group Astron-6 (formed by Steven Kostanski, Adam Brooks, Matthew Kennedy, Conor Sweeney and Jeremy Gillespie) is specialized in parodying the '80s with films overflowing of style, energy and a particular sense of humor which makes them transcend the nostalgia in order to become something special and memorable by themselves. Astron-6 had made a satire of slasher cinema with Father's Day, and of post-apocalyptic science fiction with Manborg (not to mention its numerous short films, many of which can be watched on YouTube). More recently, in the movie The Editor, it makes a tribute/parody of "giallo"; those thrillers bathed on blood and sexuality which used to be popular in Italy during the '70s and '80s. The most famous exponent of that style is, of course, Dario Argento, but many other directors also contributed to it, such as Sergio Martino, Umberto Lenzi and Mario Bava. Having said all that, I have to admit that I have generally not been a big fan of giallo's. I definitely appreciate its bloody violence (which was rarely realistic, but always excessive), and I also like the distinctive electronic music which usually accompanies it; but, with the exception of Argento's films, I find giallo simplistic and repetitive, with confusing and incoherent screenplays which rarely satisfy on the most elementary narrative level. Fortunately, those problems become pros when they are filtered by Astron-6's sensibility. The story of The Editor has all the ingredients required by the recipe (not to mention dozens of references to the directors and films which inspired it): grotesque deaths, mediocre special effects, beautiful women, bad dubbing, anachronistic misogyny and various suspects who can be the mysterious killer of the black gloves. The exaggerated imitation of those elements is essential for the humor of The Editor, but it's not its only virtue. Like it had done in Father's Day and Manborg, Astron-6 gradually moves from familiar territory in order to add twisted digressions and unexpected surprises, including a series of final twists, each one of them more bizarre than the previous one, until leading to an "ending ending" which is simultaneously ingenious and ridiculous. On the negative side, The Editor occasionally feels a bit repetitive, and I think I was kinda expecting something more extreme and shocking from Astron-6; however, on the other hand, this might mean the fact that the group is maturing, and I will definitely keep looking forward to its next films. In the micro-universe of tributes, satires and revivals of giallo cinema, I would place The Editor above Amer and Berberian Sound Studio, but below The Strange Color of Your Body's Tears, which was basically incomprehensible, but I think it handled the giallo style on a more artistic way. Nevertheless, I liked The Editor pretty much, and I recommend it with the warning that this film will definitely not be everyone's cup of tea.


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