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The Forbidden Room (2015)

Not Rated | | Comedy, Mystery | 11 December 2015 (UK)
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In this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.

Directors:

Guy Maddin, Evan Johnson (co-director)
4 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Roy Dupuis ... Cesare
Clara Furey Clara Furey ... Margot
Louis Negin ... Marv / Smithy / Mars / Organizer / Mr. Lanyon
Udo Kier ... Count Yugh / The Butler / The Dead Father / Guard / Pharmacist
Gregory Hlady ... Jarvis / Dr. Deane / A Husband
Mathieu Amalric ... Thadeusz M___ / Ostler
Noel Burton Noel Burton ... Wolf / Pilot / The Captain
Geraldine Chaplin ... The Master Passion / Nursemaid / Aunt Chance
Paul Ahmarani ... Dr. Deng / Speedy
Caroline Dhavernas ... Gong
Jacques Nolot ... Bent / Minister of the Interior
Slimane Dazi ... Baron Pappenheim
Maria de Medeiros ... The Blind Mother / Clotilde
Charlotte Rampling ... The Ostler's Mother
Victor Andres Turgeon-Trelles ... Saplingjack 1 / Listening Man / Pancho (as Victor Andrés Trelles Turgeon)
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Storyline

A never-before-seen woodsman mysteriously appears aboard a submarine that's been trapped deep under water for months with an unstable cargo. As the terrified crew make their way through the corridors of the doomed vessel, they find themselves on a voyage into the origins of their darkest fears.

Plot Summary | Add Synopsis

Genres:

Comedy | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

Canada

Language:

English

Release Date:

11 December 2015 (UK) See more »

Also Known As:

Seances See more »

Filming Locations:

Paris, France See more »

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Box Office

Opening Weekend USA:

$696, 19 February 2016, Limited Release

Gross USA:

$34,043, 6 March 2016
See more on IMDbPro »

Company Credits

Production Co:

Phi,Buffalo Gal Pictures,Kidam See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Each sequence of The Forbidden Room is based on reviews and summaries of "lost" films, mostly from America in the early to mid-20th century. These films were destroyed intentionally or by natural degredation of the original film stock, and will likely never be seen again. Guy Maddin realized the only way he'd be able to see these lost movies was to make them himself. See more »

Quotes

[first lines]
Marv: Hello. I'm Marv. Today, we're gonna discuss baths - more specifically, how to take one. Baths have been around for a long time. The ancient Romans built fancy ones, like Caracalla. In the Middle Ages, the were called "stews"... 'cause you had to be stewed in order to take one. They were open to both sexes. Today, the Japanese have bisexual bathing
[winks]
Marv: . Here in America, we didn't bathe so much until recently. The Saturday-night bath used to be a ritual. Today, it's more like ...
See more »

Connections

References How to Take a Bath (1937) See more »

Frequently Asked Questions

See more »

User Reviews

 
Terrible, I invested an hour of my life I will never get back
21 September 2016 | by wayneluscombeSee all my reviews

I did not enjoy this film. In fact after investing an hour trying to watch it, I had to give up. Some reviewers have used the terms "deep" and a "slog" to get through. Well it was deeper than I wanted to go, and slog is an understatement. I was not able to figure out a plot, it appeared to be a jumble of disconnected clips randomly strung together that made no sense. The harsh flickering high contrast filming style with it's strange pulsation graphic images in the background, was like watching something from the psychedelic 60's. The flickering was like watching a strobe light. The scenes were short and jumped from scene to scene like something from Sesame Street. If you are a fan of Pulp Fiction, you may be able to sit through this film long enough to figure it out. For me, it was an hour of my life I will never get back.


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