When the newly-crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
The man-cub Mowgli flees the jungle after a threat from the tiger Shere Khan. Guided by Bagheera the panther and the bear Baloo, Mowgli embarks on a journey of self-discovery, though he also meets creatures who don't have his best interests at heart.Written by
Despite being a Gigantopithecus, King Louie closely resembles a male Boronean orangutan, especially with his face baring two large cheek pads. Of course there is no way to know if Gigantopithecus males did not have them also. See more »
Many strange tales are told of this jungle, but none so strange as the tale of the cub we call Mowgli.
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The Disney logo has a hand-drawn animated design and resembles the 1960s Disney logo, to homage The Jungle Book (1967)'s era. The logo features Disneyland attractions of the 1960s: the Mark Twain Riverboat, the King Arthur Carrousel, the Casey Jr Circus Train, the Matterhorn, the Main Street USA, and the Jungle Cruise riverboat/landmarks. See more »
We've hit a point of no return in terms of remakes: the recent announcement of yet another Indiana Jones film, Disney's intention to produce a new Star Wars film every year, and a mooted reboot of Peter and Elliot the Dragon (!) go a long way to showing the complete inspirational bankruptcy of blockbuster filmmaking. And in case that picture isn't sharp enough for you, along comes Jungle Book to crystallize the issue.
The original is among Disney's most perfect creations, and simply reissuing it in theaters might have accomplished what the present abomination did financially, without any of the wasted effort. What we have here is a deconstruction of the original, where every spin on an old idea misses the mark and every new "idea" turns out to be pointless and predictable.
In true flop-fashion, the problems can be traced to before a camera was even unleashed: the casting becomes and end unto itself, despite a weird mismatch between voice and animal or performance. That blend manages to be less convincing than Homeward Bound (and they used real critters). Ben Kingsley barely pulls off Baghera, but Murray and especially Christopher Walken are embarrassing, especially during the latter's cringe- worthy rendition of "I Wanna Be Like You". The real disappointment is poor young Neel Sethi as Mowgli, who is hung out to dry, too often betraying the digital fakery around him.
The throwback moments are mostly appalling, and the additions, all padding, are yawn- inducing: King Louie has a huge temple? Of course it will crumble during a by-the- numbers chase scene, with none of the humor of the original. The film also awkwardly acknowledges its own pointlessness: since the only way to "improve" on the original is to make everything faster, louder and bigger, serpent Ka is bigger than even Anaconda's titular joke was, and Louie could take King Kong in a fight, while the climactic jungle fire setting the scene for Mowgli's showdown with Khan could probably, in this incarnation, be visible from space.
So there you have it, a tale full of sound and fury, told by idiots etc, as the poet said. White noise. Meanwhile, it hardly registers as a blemish on a more recent poet, original author Rudyard Kipling, who would simply be appalled.
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