When the newly-crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom. Granted one wish, Merida must rely on her bravery and her archery skills to undo a beastly curse.
The man-cub Mowgli flees the jungle after a threat from the tiger Shere Khan. Guided by Bagheera the panther and the bear Baloo, Mowgli embarks on a journey of self-discovery, though he also meets creatures who don't have his best interests at heart.Written by
Most animals in the film are based on real wild animals largely found on the Indian subcontinent (as per the original novel); however, to accentuate Mowgli's physically disadvantage, most depicted animals are increased in their relative size by at least thirty percent. For obvious reasons, this works to enhance the menace in figures such as Shere Khan and Kaa, but it works likewise in friendly characters, such as the wolf pack or Bagheera when looming over Mowgli. Real-life Indian species of wolves or leopards are relatively small and average (rather smaller than an adult human, for example). Even King Louie appears considerably larger than a real-life Gigantopithecus would (at up to nine and a half feet tall, whereas Louie appears to be perhaps fifteen feet tall). See more »
Several of the animals make the sounds of the wrong species. Many of the monkeys make chimp noises, one of the langurs performs a gibbon whoop, and some of Shere Khan's vocalizations are lion sounds. See more »
Many strange tales are told of this jungle, but none so strange as the tale of the cub we call Mowgli.
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The end credits show a logo for Fantasound, the stereophonic sound system developed for Fantasia (1940), side by side with the Dolby Atmos logo. See more »
To those who still hold any degree of skepticism for Jon Favreau's The Jungle Book—Disney's live-action adaptation of the Rudyard Kiplingclassic—I say just sing along to "Forget about your worries and your strife " That's a guaranteed earworm from this really good film. Complete with splendid sound design and flabbergasting CGI wizardry, director Favreau, with cinematographer Bill Pope, deftly crafts this spectacle not only to dazzle viewers but also to enhance its dramatic agenda.
With an excellent voice cast, The Jungle Book presents a colorful array of memorable characters. Idris Elba as Shere Kahn is chillingly formidable with his guttural threats. Ben Kingsley brings nobility and wisdom in the sleek jungle cat Bagheera. In her short sequence as the python Kaa, Scarlett Johansson delivers the film's backstory with a magnetic voice. Giancarlo Eposito's Akela and Lupita Nyong'o's Raksha supply the fierce patriarch and protective maternal vibes needed by their characters. Christopher Walken as the mafia-king orangutan waiting for extinction is an oddly delightful sight, especially when he starts to sing. Bill Murray as the manipulative sloth bear Baloo is a crowd favorite as he blurs the line between being annoying and adorable. Even the lesser animals (porcupine, pygmy hog, squirrel, etc.) manage to steal the show as sources of comic relief.
In his first feature appearance, Neel Sethi as young Mowgli is tasked with selling the wonder and portraying the humanity of this tale. Considering that he is basically working within the confines of his imagination and a green screen room for the entire film, he manages to make everything believable: the beauty and danger of the jungle, his kinetic and charismatic character, and his deep connection with the animals. Of course, this is owed in large part to Jon Favreau's direction's too. A magical scene in the film (and my favorite!): an infant Mowgli and Bagheera's innocently touches Bagheera's face. It's a sweet moment, a reminder that the there's a seed of humanity in each of us.
Although the film comes a bit dark, fans are not robbed of iconic songs such as "The Bare Necessities", "I Wanna Be Like You," and a jovial musical scoring for the film (thanks to John Debney). Old as it may, the story of The Jungle Book remains an affecting contemplation on the virtues of family, self-growth, and man's progress at the expense of nature. The Jungle Book successfully opens a new chapter in cinema's visual storytelling prowess. It deserves to be seen, and unequivocally needs to be experienced in 3D or better, an IMAX theater. It is immersive, it is enchanting, and it is wonderful.
Full review here: http://www.filmpolicereviews.com/reviews/the-jungle-book
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