As the German Fascists expand their borders, scorching Europe from end to end, two brave Czechs of the Resistance prepare for a suicide mission to assassinate Reinhard Heydrich, the hideous mastermind behind the "Final Solution".
In November 1939, Georg Elser's attempt to assassinate Adolf Hitler fails, and he is arrested. During his confinement, he recalls the events leading up to his plot and his reasons for deciding to take such drastic action.
The door has been closed for many weeks. A teenager has locked himself in - shutting out a helpless father, mother and sister. In Japan, youths like him have already been given a name: ... See full summary »
A German soldier tries to determine if the Dutch resistance has planted a spy to infiltrate the home of Kaiser Wilhelm in Holland during the onset of World War II, but falls for a young Jewish Dutch woman during his investigation.
Witnesses about to testify at the Nuremberg War Trials needed a safe place to wait. All under one roof, each with their own secrets. And the countess assigned to take care of them. What was her secret?
In 1940, German soldier Hans Quangel (Louis Hofmann) is killed in action during the French campaign. His parents, Otto (Brendan Gleeson) and Anna (Dame Emma Thompson), are devastated by the loss and their bereavement is unmollified by the joyful hysteria at Germany's victory. Deciding that Führer Adolf Hitler and his Nazi regime are responsible for this tragedy and much more, Otto cannot stand by any longer. As such, Otto begins to create handwritten cards denouncing the regime's abuses and lies, which he secretly deposits throughout Berlin while a disillusioned Anna insists on helping him. As the subversive cards pile up over the years, Police Detective Escherich (Daniel Brühl) is tasked to track down the leafleteer while being pressured by his increasingly impatient S.S. superior for an arrest for this "treason", regardless of actual guilt. As the stakes rise even as Nazi Germany's day of reckoning approaches, Otto and Anna are determined to spread the truth regardless of the odds, ...Written by
Kenneth Chisholm (email@example.com)
Based on the novel "Jeder stirbt für sich allein" (Every Man Dies Alone) by Hans Fallada. The novel was allegedly based on Gestapo files to which Fallada was given access. See more »
It's a man whose no longer young. Who lost his only son in the French campaign. Inexperienced at writing; but, intelligent. The style has visibly changed during the course of the year. In recent months he has used the title: Free Press.
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Do you appreciate good acting? If so, you shouldn't miss "Alone In Berlin", an indie now playing at a few theaters in NYC. It features Emma Thompson and Brendan Gleeson as the Quangels, whose only son was killed in action fighting for the Nazis in WWII. They are heartbroken, but this is quickly replaced by anger and a sense of revenge for their loss. Otto (Gleeson) decides to print a series of anti-Nazi postcards and leave them at strategic public places around Berlin, but not in mailboxes or stuck in doors - that could mean death to the finder. Naturally, the Gestapo and SS are hot on his trail.
If Brendan Gleeson is the heart of the picture, Emma Thompson is its soul. She is fearful at first but then embraces Otto's dangerous idea and in the process finds renewed love for her husband. She is fiercely loyal and discovers courage she thought she didn't have. She is heartbreaking in her anguish over the loss of her son, and she and Gleeson elevate a pedestrian story to a must-see.
I wonder if at some point in production someone, in the old Hollywood tradition, should have yelled "Get me rewrite!", as the screenplay could have used a little 'punching up'. The story lacks some tension and suspense and relies on the two principals for success. And do they deliver. "Alone in Berlin" will be lost in the shuffle next year at Oscar time, which is a loss and a shame as both are deserving of an AA nom.
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