In an old Hollywood mansion, the spirit of an old family retainer inhabits an old grandfather clock. When a movie company uses the mansion for a film, the spirit inhabits the body of an ... See full summary »
Believing to be able to communicate with his deceased father, a young boy develops physchic powers where he uses them to try to stop supernatural forces threatening his family and friends, especially a possessed ventriloquist dummy.
Near the end of the 20th century, WMDs (weapons of mass destruction) are retired. However, certain factions plan to use a science space station as a weapon against each other. The astronauts inside will decide the world's fate.
He thought his future was in an astrophysics lab. His true calling lies somewhere closer to the White House. During a rainy rugby game, undergrad Carter Henderson (Max Thieriot - ... See full synopsis »
Monique Gabriela Curnen
In the prehistoric past, D'Leh is a mammoth hunter who bonds with the beautiful Evolet. When warriors on horseback capture Evolet and the tribesmen, D'Leh must embark on an odyssey to save his true love.
The plot revolves around the 1969 Stonewall Riots, the violent clash that kicked off the gay rights movement in New York City. The drama centers on Danny Winters, who flees to New York, leaving behind his sister. He finds his way to the Stonewall Inn, where he meets Trevor before catching the eye of Ed Murphy, manager of the Stonewall. He colludes with corrupt police and exploits homeless youth.
During Danny's first visit to the Stonewall, a few months prior to the June 1969 riots, the song "Venus" by Shocking Blue is played on the bar's jukebox. The song wasn't released until October of 1969 and wasn't a major hit until 1970, well after the events of the film. Similarly, the song "I'll Take You There" by the Staple Singers, is featured twice on the soundtrack, once as as diegetic music and once as non-diegetic. That song wasn't released until 1972, again well after the events of the film. See more »
A young man's political awakening and coming of age during the days and weeks leading up to the Stonewall Riots.
Gay themed films are n abundance right now and (lesbian couples, transgender stories, more gay characters in many films) so it seems only natural that yet another film be made about the beginning of gay rights in the US. STONEWALL does that and despite the emphasis on political corruption attempting to steal the thunder from the brave gays who initiated the change to Gay Pride it works for the most part.
Many viewers will avoid the film because of the depiction of gays as being homeless, feminine street hustlers – too much so that it becomes a distraction form the other aspects of the story – but at least the message and the dates and the history are there. The plot revolves around the 1969 Stonewall Riots, the violent clash that kicked off the gay rights movement in New York City. The drama centers on Danny Winters (Jeremy Irvine), who flees to New York after an aborted coming out with Joe (Karl Glusman) and being ousted by his homophobic father (David Cubitt), leaving behind his sister Phoebe (Joey King). He finds his way to the Stonewall Inn, where he meets Trevor (Jonathan Rhys Meyers) before catching the eye of Ed Murphy (Ron Perlman), manager of the Stonewall who colludes with corrupt police and exploits homeless youth. Danny becomes close to a group of Nellie hustlers – especially Ray (Jonny Beauchamp) – and it is his association with this gay element that he eventually joins and fights for gay rights.
The cast is strong, the script by Jon Robin Baitz is less than impressive, but director Roland Emmerich manages to make the blend of history and human tragedy credible. Not a great movie, but the intentions are worthy.
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