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Relatos salvajes (2014)

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Six short stories that explore the extremities of human behavior involving people in distress.

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Writers:

(collaborating writer),
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1,606 ( 329)
Top Rated Movies #181 | Nominated for 1 Oscar. Another 44 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Salgado (segment "Pasternak")
... Isabel (segment "Pasternak")
... Profesora Leguizamón (segment "Pasternak")
... Cocinera (segment "The Rats")
... Moza (segment "The Rats")
César Bordón ... Cuenca (segment "The Rats")
... Diego (segment "Road to Hell")
... Mario (segment "Road to Hell")
... Simón (segment "Bombita")
Nancy Dupláa ... Victoria (segment "Bombita")
... Mauricio (segment "The Deal")
... Helena (segment "The Deal")
Osmar Núñez ... Lawyer (segment "The Deal")
... Casero (segment "La propuesta")
... Romina (segment "Til Death Do Us Part")
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Storyline

The film is divided into six segments. (1) "Pasternak": While being on a plane, a model and a music critic realise they have a common acquaintance called Pasternak. Soon they discover that every passenger and crew member on board know Pasternak. Is this coincidence? (2) "The Rats": A waitress recognizes her client - it's the loan shark who caused a tragedy in her family. The cook suggests mixing rat poison with his food, but the waitress refuses. The stubborn cook, however, decides to proceed with her plan. (3) "The Strongest": Two drivers on a lone highway have an argument with tragic consequences. (4) "Little Bomb": A demolition engineer has his car towed by a truck for parking in a wrong place and he has an argument with the employee of the towing company. This event destroys his private and professional life, and he plots revenge against the corrupt towing company and the city hall. (5) "The Proposal": A reckless son of a wealthy family has an overnight hit-and-run accident, in ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

We can all lose control

Genres:

Comedy | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence, language and brief sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

21 August 2014 (Argentina)  »

Also Known As:

Wild Tales  »

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Box Office

Budget:

$3,300,000 (estimated)

Opening Weekend USA:

$85,100, 22 February 2015, Limited Release

Gross USA:

$3,107,072

Cumulative Worldwide Gross:

$36,353,750
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The cake shop that Simon visits has displayed the wedding cake of the final couple. See more »

Goofs

When Diego crashes his car, the airbags deploy and stay inflated. In an actual crash, airbags deploy instantly and then immediately deflate. See more »

Quotes

Moza: Good evening, a table for one?
Cuenca: I see you're good at math.
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Crazy Credits

In the opening credits of the film, each actor is identified and accompanied by the image of a wild animal. In the case of the director (Szifrón), he chose a fox, the reason is not only because he is red haired: "The fox was an animal that my dad really liked, he always saw foxes documentaries, I think that's why I chose it..." See more »

Connections

References Cars (2006) See more »

Soundtracks

Titanium
Written by David Guetta, Giorgio Tuinfort, Afrojack (as Giorgio Tuinfort), and Sia (as Sia Kate Furler)
Performed by David Guetta ft. Sia
See more »

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User Reviews

 
Very dark, very funny, extremely realistic
29 September 2014 | by See all my reviews

Wild Tales (Relatos Salvajes) is perhaps the darkest and funniest movie I saw in years; but is it really a comedy ?. No it is not. Six tales about human that are obviously related to the Argentinian reality (abusive government, corruption, people indifference) but certainly can be applied to many other countries in the world; USA included.

Telling about each tale will cut the impact and somewhat surprise of each one. Let's just say that the outcome of each tale is sometimes predictable; but driven by logic not clichés.

As always happens; some histories are better than others; but even that will be different for different viewers.

In brief; an excellent movie that deserves to be seen by people with a brain and a will to think.


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