...There is no real emotional connection to the characters, or their development, resulting in very two dimensional individuals, the story itself, which fails to substantially bear fruit, being conceived in a similar vein.
Having never viewed the Manga or Anime this feature is based upon, perhaps I was at a disadvantage, as I did not expect the opening of the film to encompass sex and nudity. The film exhibits an avid concentration on the legs and chests belonging to the female characters, and despite the lead never revealing her underlying flesh, which reflects the principles the feature is able to support, much of the sexual content contradicts this particular aspect through the severe limitation exhibited upon morals in general - even incest being a theme incorporated into the script.
Almost all of the female characters dress in leather outfits that are absolutely stunning, revealing the physicality of the gorgeous women wearing them. There's one particular scene involving two women with magnificent external features, one of whom is pinned to a table, the other on top, her tongue dancing across the body of the woman who's tied down, saliva left in its wake. This, much like a scene where women are dressed in alluring maid outfits, which is a step up from other moments involving women whose attire is even more revealing, is obviously aimed towards a male audience, who will, in all likelihood, potentially enjoy the aforementioned scene, as it is easily one of the film's most memorable moments. Unfortunately, it seems the creators put too much thought into the tantalizing visuals and innuendo, and not enough elsewhere, which is where the attention was most required. Safe to say, feminists need not apply to watch this movie, with over 80% of the women in the feature been relegated to unnecessary sexist stereotypes.
On the subject of the film's other prominent feature, the sheer mass of violence steadily increases over the course of the film, until red becomes the main color spilling across the screen. The fight scenes, although occasionally wonderfully executed, despite the obvious low budget, sometimes become tiresomely long-winded, even with the action oriented soundtrack which efficaciously works accompanying many of the scenes. Most of these battles take place in condemned locations that lack much physical appeal, whereas limited time is spent in the feature's more luxurious settings.
Due to the focus on sexually related ideas, and buckets of blood and gore, the story exhibits minimal impact upon the viewer. In the future, the world is divided into two blocks: east and west. Mylene, otherwise known as 009-1 (Mayuko Iwasa), is a brilliant spy for the Western Block, outfitted with an arsenal of weaponry (including machine-guns in her breasts, that, although imaginative, have recently been shown elsewhere). In battle, she is outmatched, frequently been called upon to undergo dangerous operations. When eliminating a human trafficking operation, she happens upon Chris (Minehiro Kinomoto), whose very existence begins to change her life, causing her to feel a connective tug dragging her continuously towards him. Her employer, led by 020 (Naoto Takenaka) however, will not allow her to experience a normal life so easily. Upon been thrust into an operation to save a valued scientist, Dr. Klein (Aya Sugimoto), who has a direct connection to her past, Mylene finds herself in the center of a fight unlike any she has ever encountered. Who can she trust? What can she do? And can she figure it all out in time?
A collection of cliché ideas, that are not nearly as predictable as they are flattening to the overall story, alongside an anti-climatic conclusion, that raises more questions than it deems to answer, while teasing the possibility of a sequel, inhibit much of the tension and suspense the film attempts to construct. If you, dear viewer, want to see an assortment of unfathomably beautiful women in sexy, sexy outfits, then please, look no further. If you want a film that contains a decent storyline, maybe you ought to look elsewhere...
