After Robert is fired from his own father's company, he feels like his luck has run out - until Morgan enters into his life.After Robert is fired from his own father's company, he feels like his luck has run out - until Morgan enters into his life.After Robert is fired from his own father's company, he feels like his luck has run out - until Morgan enters into his life.
Ashanna Bri
- Coffee Buyer
- (as Ashanna Wall)
Jaies Baptiste
- Lisa
- (as Janet Baptiste)
- …
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- Writer
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In the opening scene, a loud klaxon sounds on Robert's alarm clock as he wakes up-- there's no ambiguity about the meaning of the titular metaphor of this film. Writer/producer Mark Harris uses positive messages of self-improvement, social responsibility, and hope to prompt his audience to change in this unconventional RomCom.
It's refreshing to finally see a movie that models positive, socially constructive values instead of all the stereotypes and derision found in nearly every big-studio film with black characters. Harris uses a direct approach to deliver his message -- the characters simply say what black folks should do to improve themselves. And Harris lets us know that he is fully aware of all of the racist techniques that mainstream Hollywood producers use to deride and oppress black people: black characters depicted in lower-socioeconomic positions; stereotypical behaviors; substandard grammar and pronunciation; no eye contact; and the promotion of anti-social values. Harris directly addresses these with counter-messaging for each one. And to drive home the point, the film reverses the usual Hollywood-typical roles of black and white people -- a white guy who delivers bad news to the protagonist; a white assistant who is deferential to a black businessman; a white patron at the bookstore being exceptionally rude; and the white guy pleading with the black protagonist for help at one point. In big-studio films all of those white characters would be cast with black actors instead.
One message promoted in the film that I have a disagreement with is the idea of economic segregation. Via this story, the filmmakers argue that black folks should only buy and sell to other black folks to improve their economic condition. Now I agree that buying $500 "swoosh" sneakers made by overseas slave labor or buying expensive gold chains from your local non-black-owned jewelry store is probably not a smart idea. But the tactic promoted by this film of complete segregation, while perhaps effective in the short term is ultimately unsustainable and doesn't get society to where it needs to be. However, the ideas of entrepreneurship, self-improvement, and mutual respect presented in the film are all good.
The writing was solid and the dialog was natural and believable. And the acting was well above average. Story-wise, this film broke somewhat from the RomCom formula in a way that was innovative and actually worked. Also, the characters who play the preexisting partners of the protagonists are treated with more respect, not just as disposable foils or antagonists, but as real people who have issues and are redeemable. Hollywood producers could take a lesson from this film and be a little more willing to step out of the RomCom formula rut.
But there were some serious technical issues with the film. Some of the exterior shots were overexposed and the filmmakers failed to maintain control over ambient noise in location shots. And the audio editing was really choppy. If they couldn't pick a venue where they had control over the noise, then they should have just shot the video and then had the talent come in and re-dub the lines and mix in any required ambient sound in post (which would probably require wider framing and more reaction shots because it's a labor-intensive process to try to sync a dub for more than a second or so against a closeup). Or better yet, shoot it in-studio against a green screen (where motorcycles and helicopters can't stomp on the actors' lines) and then add in whatever location you need later in post.
Overall though, this was a well-written and well-acted film that was somewhat direct at times, but had a positive, socially responsible message. It was clear that Harris didn't want to compromise his message in this film and the result was well worth it. (However, I noticed a later project by Harris, 'No Regrets', which seemed to slip into more Hollywood-style black stereotypes with substandard grammar and anti-social behavior by the black characters.)
Even with the technical flaws, I'm giving this a rating of 9/10 because the message it delivers is so positive.
Advisory: Promotion of drug use by the protagonists.
Rating: 9/10;
It's refreshing to finally see a movie that models positive, socially constructive values instead of all the stereotypes and derision found in nearly every big-studio film with black characters. Harris uses a direct approach to deliver his message -- the characters simply say what black folks should do to improve themselves. And Harris lets us know that he is fully aware of all of the racist techniques that mainstream Hollywood producers use to deride and oppress black people: black characters depicted in lower-socioeconomic positions; stereotypical behaviors; substandard grammar and pronunciation; no eye contact; and the promotion of anti-social values. Harris directly addresses these with counter-messaging for each one. And to drive home the point, the film reverses the usual Hollywood-typical roles of black and white people -- a white guy who delivers bad news to the protagonist; a white assistant who is deferential to a black businessman; a white patron at the bookstore being exceptionally rude; and the white guy pleading with the black protagonist for help at one point. In big-studio films all of those white characters would be cast with black actors instead.
One message promoted in the film that I have a disagreement with is the idea of economic segregation. Via this story, the filmmakers argue that black folks should only buy and sell to other black folks to improve their economic condition. Now I agree that buying $500 "swoosh" sneakers made by overseas slave labor or buying expensive gold chains from your local non-black-owned jewelry store is probably not a smart idea. But the tactic promoted by this film of complete segregation, while perhaps effective in the short term is ultimately unsustainable and doesn't get society to where it needs to be. However, the ideas of entrepreneurship, self-improvement, and mutual respect presented in the film are all good.
The writing was solid and the dialog was natural and believable. And the acting was well above average. Story-wise, this film broke somewhat from the RomCom formula in a way that was innovative and actually worked. Also, the characters who play the preexisting partners of the protagonists are treated with more respect, not just as disposable foils or antagonists, but as real people who have issues and are redeemable. Hollywood producers could take a lesson from this film and be a little more willing to step out of the RomCom formula rut.
But there were some serious technical issues with the film. Some of the exterior shots were overexposed and the filmmakers failed to maintain control over ambient noise in location shots. And the audio editing was really choppy. If they couldn't pick a venue where they had control over the noise, then they should have just shot the video and then had the talent come in and re-dub the lines and mix in any required ambient sound in post (which would probably require wider framing and more reaction shots because it's a labor-intensive process to try to sync a dub for more than a second or so against a closeup). Or better yet, shoot it in-studio against a green screen (where motorcycles and helicopters can't stomp on the actors' lines) and then add in whatever location you need later in post.
Overall though, this was a well-written and well-acted film that was somewhat direct at times, but had a positive, socially responsible message. It was clear that Harris didn't want to compromise his message in this film and the result was well worth it. (However, I noticed a later project by Harris, 'No Regrets', which seemed to slip into more Hollywood-style black stereotypes with substandard grammar and anti-social behavior by the black characters.)
Even with the technical flaws, I'm giving this a rating of 9/10 because the message it delivers is so positive.
Advisory: Promotion of drug use by the protagonists.
Rating: 9/10;
Director, Mark Harris has taken another leap forward in his career with this latest addition of "Black Coffee."
The delicate balance of black relationships is hard to capture in an authentic and heart felt way for most filmmakers, but Mark's command of subtle nuance pulls it off brilliantly here. I am particularly impressed with the way the storyline remains entertaining and sexy without ever going "raunchy". I appreciate Marks level of sophistication and taste.
Black Coffee is a great relationship film for anyone of any background and especially those brothers and sisters in the world looking for love today. Great insights into the minds of men and women.
A must rent for date night.
The delicate balance of black relationships is hard to capture in an authentic and heart felt way for most filmmakers, but Mark's command of subtle nuance pulls it off brilliantly here. I am particularly impressed with the way the storyline remains entertaining and sexy without ever going "raunchy". I appreciate Marks level of sophistication and taste.
Black Coffee is a great relationship film for anyone of any background and especially those brothers and sisters in the world looking for love today. Great insights into the minds of men and women.
A must rent for date night.
This film begins with a young man by the name of "Robert" (Darrin Dewitt Henson) getting fired from a job at a company his father started but now being managed by a man named "Nate" (Josh Ventura). Needless to say, since he is a hard worker and Nate was his friend, this news comes as quite a shock to him. Not only that, but when he returns to his home, he finds that his girlfriend "Mita" (Erica Hubbard) is leaving him as well since, now being unemployed, he obviously cannot continue to support her in the manner she is accustomed to. He later discovers that Mita has been cheating on him with Nate. It's during this time that he meets an attractive female lawyer by the name of "Morgan" (Gabrielle Dennis) and sparks fly between them. The problem is that Morgan's ex-husband "Hill" (Lamman Rucker) is pressuring her reconcile with him and this makes any romance with Robert extremely difficult. Now, rather than reveal any more, I will just say that this was a cute rom-com helped in large part by the chemistry between Darrin Dewitt Henson and Gabrielle Dennis along with the comedy supplied by Christian Keyes (as Robert's cousin "Julian") and Erica Hubbard. Admittedly, the focus seems to be geared more towards a black audience but even so I still enjoyed this film and I have rated it accordingly. Slightly above average.
Just caught the movie Black Coffee on BET tonight. I wasn't familiar with the director (Mark Harris) nor the two lead actors, and I have to admit my expectations were not high, as a matter of fact, the only thing I was expecting was to be changing the channel after about fifteen minutes. Well, let me just say, that as the final credits rolled by, I found myself having been pleasantly entertained.
First, let me give you a synopsis of the film; Robert (the charming Darrin Dewitt Henson) is having a bad day. First he gets fired from the company his father started, by Nate (Josh Ventura), the man he brought in to resurrect the business. The cloudy day continues when Robert arrives at home only to find his gorgeous but vapid girlfriend of two years Mita (Erica Hubbard of BET's Let's Stay Together) is leaving him for another man. Robert's luck doesn't get any better when he later finds out that the man Mita is leaving him for, is none other than Nate. At his lowest ebb, no job, no woman, betrayed, Robert has a quick encounter with a beautiful woman named Morgan (the enticing Gabrielle Dennis) at his local bookstore. With a little push from his hustler cousin Julian (Christian Keyes), Robert arranges to meet Morgan, and after some initial hesitation, Morgan soon finds herself as attracted to Robert as he is to her.
From this point, the film turns into a romantic comedy with Robert and Morgan going through the usual motions of falling in love, with several potholes in the road as expected. Where this movie falls short is in its ability to build up emotional conflict and drama. For example, one of those potholes the couple encounters is Morgan's ex- husband Hill (the versatile Lamman Rucker) who, unable to keep his wife from leaving, refuses to release a million dollar property to her unless she keeps away from other men. This, and Mita's attempt to come back into Robert's life should have provided ample conflict, but unfortunately, become merely a soft sub-plot. Now please understand me, I was not looking for Tyler Perry crack mama, sadistic husband, drag queen crazy aunts, type drama. What this film lacked were the stair steps that make us invest in the characters, and reveal how deep or shallow their love is.
That being said, where Black Coffee does work is in its funny, witty dialog, charismatic, lovable characters, and an attractive cast, that makes this movie a pleasure to watch. Henson as Robert shows great chops as a leading man, and if this performance is any indication, he should be showing up in more films. Keyes as hustling, wise- cracking Julian steals the scenes he is in and Hubbard's Mita takes a role which could have been annoying but adds just the amount of sass to make her believable. The star of the movie for me is Dennis, who blends a mixture of sophistication and sexiness to her role that rivals any of the A-List girls such as Halle Berry or Kerry Washington.
Director Mark Harris pulls everything together smoothly; reining in his actors so that there is no Perry-ish moments of over-acting, and allowing the movie to glide along at a steady, if not spectacular pace. Adam Lee's cinematography is as smooth and mellow as Harris' direction, allowing the actor's charm and attractiveness to be the film's finest special effect. While you're not going to be taken on the head-spinning roller coaster ride of most of today's romantic-comedies, just like Black Coffee, the film will stimulate and satisfy.
First, let me give you a synopsis of the film; Robert (the charming Darrin Dewitt Henson) is having a bad day. First he gets fired from the company his father started, by Nate (Josh Ventura), the man he brought in to resurrect the business. The cloudy day continues when Robert arrives at home only to find his gorgeous but vapid girlfriend of two years Mita (Erica Hubbard of BET's Let's Stay Together) is leaving him for another man. Robert's luck doesn't get any better when he later finds out that the man Mita is leaving him for, is none other than Nate. At his lowest ebb, no job, no woman, betrayed, Robert has a quick encounter with a beautiful woman named Morgan (the enticing Gabrielle Dennis) at his local bookstore. With a little push from his hustler cousin Julian (Christian Keyes), Robert arranges to meet Morgan, and after some initial hesitation, Morgan soon finds herself as attracted to Robert as he is to her.
From this point, the film turns into a romantic comedy with Robert and Morgan going through the usual motions of falling in love, with several potholes in the road as expected. Where this movie falls short is in its ability to build up emotional conflict and drama. For example, one of those potholes the couple encounters is Morgan's ex- husband Hill (the versatile Lamman Rucker) who, unable to keep his wife from leaving, refuses to release a million dollar property to her unless she keeps away from other men. This, and Mita's attempt to come back into Robert's life should have provided ample conflict, but unfortunately, become merely a soft sub-plot. Now please understand me, I was not looking for Tyler Perry crack mama, sadistic husband, drag queen crazy aunts, type drama. What this film lacked were the stair steps that make us invest in the characters, and reveal how deep or shallow their love is.
That being said, where Black Coffee does work is in its funny, witty dialog, charismatic, lovable characters, and an attractive cast, that makes this movie a pleasure to watch. Henson as Robert shows great chops as a leading man, and if this performance is any indication, he should be showing up in more films. Keyes as hustling, wise- cracking Julian steals the scenes he is in and Hubbard's Mita takes a role which could have been annoying but adds just the amount of sass to make her believable. The star of the movie for me is Dennis, who blends a mixture of sophistication and sexiness to her role that rivals any of the A-List girls such as Halle Berry or Kerry Washington.
Director Mark Harris pulls everything together smoothly; reining in his actors so that there is no Perry-ish moments of over-acting, and allowing the movie to glide along at a steady, if not spectacular pace. Adam Lee's cinematography is as smooth and mellow as Harris' direction, allowing the actor's charm and attractiveness to be the film's finest special effect. While you're not going to be taken on the head-spinning roller coaster ride of most of today's romantic-comedies, just like Black Coffee, the film will stimulate and satisfy.
This movie has been all over Facebook and Instagram, so I had to check it out and I must say that it was very nice to go to a movie about love without any wild sexual language and overtones. I read that i could take my children and so I took my daughter and she loved it! A nice way to a love story without the drama all. The characters were nice, positive people and I enjoyed them all, though I loved to hate the ex husbands character. I also happen to be a business owner and I thought it was nice to hear inspiring things about business and things like that. Great movie and other than one or two parts, I have nothing but great things to say about it. I hope my sisters in Texas get to see it too, i heard it was only in 4 cities.
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