Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
The general public is concerned over having Superman on their planet and letting the "Dark Knight" - Batman - pursue the streets of Gotham. While this is happening, a power-phobic Batman tries to attack Superman.Meanwhile, Superman tries to settle on a decision, and Lex Luthor, the criminal mastermind and millionaire, tries to use his own advantages to fight the "Man of Steel".Written by
The prison number on Lex Luthors prison jumpers is TK 421. The same as the Stormtrooper who was missing from his post when Luke and Han stole his and his partners uniforms in A New Hope. See more »
Some users have stated that Superman took 10 minutes to cross the bay to confront Lex because he was still weak from the kryptonite gas and moving much slower than usual. When Lex and Lois are on the roof of Lexcorp Tower, Batman's bat signal is visible in the distance and it is clearly only a mile or two at most. When the film shows Superman approaching the ship, he is clearly moving at an extremely high rate of speed that would have enabled him to cross the bay in a matter of seconds, even if he were weak. If you listen closely, there seems to be a sonic boom when it switches from Lex holding the timer to showing Superman approaching - a sound effect the director would not have inserted if he wanted the audience to think Superman was too weak to fly fast. Also, after Doomsday is "born," Doomsday throws a punch at Lex and Superman is able to go from standing to flying fast enough (and strong enough) to catch the punch in an instant. See more »
There was a time above... a time before... there were perfect things... diamond absolutes. But things fall... things on earth. And what falls... is fallen. In the dream, it took me to the light. A beautiful lie.
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The Warner Bros, Ratpac Entertainment and DC Comics logos have autumn leaves falling. See more »
Batman V. Superman: Dawn of Connection. The most under-appreciated film of our generation
A completely unique take on America's two most famous comic book superheroes. An aggressive and ruthless Batman who is older and jaded. A sensitive and reserved Superman who has to deal with the pressures of being a hero and a villain by the world (as seen in a montage in the film known as the "Day of the Dead" scene.) The films major antagonist is Lex Luthor who is also a new, younger, and more psychotic take on the character. Calculated, but keeps up a very charming and humorous appearance.
A common complaint in this film is that the plot and characters are "messy" and not well characterized. But if you take a deeper look, in a realistic situation, Bruce Wayne would develop major aggression and fear after 20 years of fighting crime (as well as the death of his parents at age 10.) And Clark Kent would logically feel a level of guilt for having caused damage to Metropolis following the fight at the end of Man of Steel, though he had no choice since the fight was to save the world. Collateral damage would be inevitable with two superhuman-like figures (Superman and Zod.)
The performances in this film only add to the well written characters. Ben Affleck gives us an enticing interpretation of Batman that is smooth out of the costume and gritty and raw in it. Henry Cavil gives us a nuanced Superman and shows much emotion at times without saying a word, much like Affleck. Jesse Rosenberg gives us a humorous, but mysterious performance with implied past traumas making him the monster he is, also showing so much with facial expressions and not words.
A complaint that is also very common for this film is the cinematography and visual effects. The films stylistic choices in this respect are actually quite fitting for the atmosphere of the film. Dark, with a sense of color and stylistic visual effects (since it is a comic book film.)
The music in this film is as important as anything else. It truly makes you feel the majestic nature of Superman, the dark nature of Bruce Wayne and Batman, and the conniving nature of Lex Luthor. And the motif that has followed itself into the most recent DC film for Wonder Woman.
The films polarizing, but in my mind BRILLIANT director Zack Snyder has sculpted his vision into film. It feels like the film Stanley Kubrick would have made if he loved superheroes. Much that is implied but not directly put into words, which works here because it adds depth and details to be discovered upon in different viewings.
All in all, this film when seen with an open mind, is filled with depth and detail on virtually all levels. It is much more than surface level intrigue. I'd go into it more, but I don't want a spoiler filled review. This is my personal favorite comic book film, and cracks my top 20 favorite films. A unique cinematic experience that leaves me completely satisfied after every viewing.
One last note. This film may never be recognized for the depth I believe it has, but I hope in time it does, the way many of the films recognized as classics now we're received when they were first released, such as 2001: A Space Odyssey, Blade Runner, and even Citizen Kane. So go into this film with an open mind and you might find there is more to it than many give it credit for.
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