Novocaine

6/10 STARS - Novocaine was on my list of most anticipated for the year, and I got the chance to watch it in early March for Regal's March 3rd Monday Mystery Movie. It stars Jack Quaid and Amber Midthunder and is about a guy who can't feel physical pain/sensations who embarks on a rescue mission after the girl he likes is kidnapped during a bank robbery. There were several things to enjoy about this movie - the premise was interesting and it was comedic to see some of the situations he got himself into during his rescue mission. While I didn't hate this film, I wasn't super in love with it, which surprised me because the trailer made it look pretty fun. Part of the problem is, I think, the casting of Jack Quaid - who seems to play the same type of character in most of his roles - and the writing of the love interest could have probably been improved in ways to make her character a bit more likable. An unnecessary racially divisive line snuck in at the end was nonsensical too. But as a whole, I've seen worse movies, so I don't consider this a waste of my time. Just wish it could have been a bit better. Video review to come shortly.

Greetings again from the darkness. In decades past, we wouldn't have been surprised in the least to see a movie starring Jack Nicholson and Dennis Quaid. In fact, in 1973 Jack co-starred with Dennis' brother Randy in one of my favorite films, THE LAST DETAIL. Well, here we are more than fifty years later, and Dennis' (and Meg Ryan's) son Jack Quaid is co-starring with Jack's son Ray Nicholson in what is sure to be one of this year's most outlandish action-comedies. The screenplay is by Lars Jacobson and the film is co-directed by Dan Berk and Robert Olsen, who also collaborated on BODY (2015).

REM's "Everybody Hurts" plays over the opening credits and sequence which provide hints to the measures Nathan Caine (Jack Quaid, COMPANION, 2025) has taken around his house. With tennis balls shielding sharp corners and a stop to prevent scalding water in the shower, Nathan appears to be quite accident-prone. We learn he's a good-guy Assistant Manager at a local San Diego bank, and profiles as nebbish in his looks and skittish mannerisms ... especially around new bank teller Sherry (Amber Midthunder, THE ICE ROAD, 2021). Sensing his awkwardness and attraction, Sherry takes charge and asks Nathan to lunch. A bite of cherry pie leads Nathan to disclose his rare genetic disorder - he simply cannot feel pain (thus explaining the earlier tennis balls).

One personal disclosure leads to another, which leads to an art gallery, which leads to romantic intimacy and what easily could spin off into a familiar quirky rom-com with these two. Instead, while Nathan is riding an emotional high, three men dressed as Santa Claus violently rob the bank on Christmas Eve and take Nathan's new squeeze Sherry as hostage. This sends our wimpy superhero Nathan (nicknamed Novocaine by junior high bullies) on a rescue mission. His previous fighting experience has been limited to online video game sessions with Roscoe (Jacob Batalon, Ned from Marvel movies), although the two have never actually met.

The fight sequences are quite violent and absurdly comical in how they take advantage of Nathan's blend of physical disorder, nice guy tendencies, and commitment to rescuing his first love. Creativity is at maximum volume as Nathan takes on a red-hot frying pan and boiling oil in a restaurant kitchen skirmish, replete with bodily poundings that would leave anyone else shattered. Things really pick up in a wickedly booby-trapped house that sets up a HOME ALONE joke. Mostly, however, the body horror serves as punchline after punchline ... some surely to tweak even the most squeamish movie goers.

Ray Nicholson (I LOVE YOU FOREVER, 2024) provides a jolt of adrenaline and psychotic violent behavior to ensure no one watching still believes this is a rom-com in the making. His Simon thrives not so much on the money from the robberies as the power and control he displays and the torture he doles out. The finale battles between Simon and Nathan are extreme and creatively unique. While the entertainment value is present, there are still some minor issues with the story and proceedings. The detectives on the case are played by Betty Gabriel (GET OUT, 2017) and Matt Walsh ("Veep"). These two talented actors are given very little to do and it's a shame their roles weren't beefed up a bit. Additionally, there is a key twist that will surprise almost no one. Is it even a twist if they tell you it's coming?

The action scenes are purposefully absurd, and although some bits are over-the-top, others are pure comedy-action brilliance. Jack Quaid is fitting right in to his lead character roles, and Ray Nicholson is mastering the wild-eyed psycho dude. Amber Midthunder shows yet again how immensely talented she is, and it's likely her future roles will take advantage of what she brings on screen. My personal biggest hope is that the filmmakers avoid a sequel ... one which would likely leave us viewers disappointingly numb (had to work in one pun).

Opens in theaters on March 14, 2025.

Nate (Jack Quaid) is a mild-mannered bank employee with a genetic disorder. He can feel no pain. It sounds like a superpower, but the problem is that he can seriously injure himself without realising the fact. As a result he leads an extremely risk-averse life. All sharp edges in his home are padded, he avoids solid food for fear of biting his tongue in half, and he sets an alarm on his watch to remind him to go to the bathroom, because his bladder might burst if he forgets.

As a result, he lives a rather lonely life, playing video games with a friend he's never met face to face. That's until he falls for fellow employee Sherry (Amber Midthunder). Maybe things are looking up?

Then the bank is held up by three armed raiders, who get away with a lot of money plus a hostage - Sherry. Nate gives chase - leading him into a series of perils and adventures. He's not helped by the fact that the police aren't sure which side he's on.

The result is stupid (in a good way) but great fun, as Nate receives a series of increasingly-bizarre injuries without them slowing him down at all. There are enough twists to make things interesting, and enough comedy to make this film an enjoyable watch.

Nate, also known by his childhood nickname Novocaine, lives with CIPA, a condition that means he cannot feel any pain, but also lives a somewhat quiet life. Things get better for Nate when he meets Sherry, and begins to fall in love with her, unfortunately during a robbery she is kidnapped, he does whatever it takes to get her back.

I can't lie, I was looking forward to this, the storyline really did appeal to me, I love the idea of CIPA being used as a plot device, a nice idea, unfortunately it doesn't quite work.

It's an action thriller come black comedy, the trouble is it doesn't know what it wants to be, and it blurs between daft, violent thriller and lame attempt to copy Die Hard.

The shoot 'em up sequences were so bad, once again we have Police who have issues with aiming guns, it just feels daft, with poor Nate slotted in as some sort of mortal superhero.

Jack Quaid is actually really good, I hate dissing the film because he puts in a good performance, but he's up against it with a weak script and confused narrative.

There are some further positives, the tattoos are immense, I'll say that, truly a work of art and the movie's general pacing is good, it does actually move by quickly, sadly it's all a bit jumbled.

5/10.

Novocaine meaningfully shows the extent you would go to save who you care about. It's filled with hopes, amid lots of action that could easily annihilate the underdog at any moment. There's some romance, more violence, and much more audience concern for the wellbeing of the intended rescuer. As part of displaying heartless crime, be forewarned that Novacaine lacks positive humor. The twists and reveals are nicely unpredictable, though.

Best seen with others for how many challenges and opportunities are dramatized. It's less about guessing what's next, and more about relating and somehow surviving, with the main character's hopes and standards intact.