First comes love, then comes marriage, then comes baby in the baby carriage. For filmmaker Nina Davenport, that old playground song didn't go as planned. Single at age 41, she decides to ...
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A documentary that delves into each week of a woman's pregnancy by interviewing moms about their own personal experiences. It serves as a road-map to support and guide moms, fathers and ... See full summary »
Birth: it's a miracle. A rite of passage. A natural part of life. But more than anything, birth is a business. Compelled to find answers after a disappointing birth experience with her ... See full summary »
Mary Helen Ayres,
Documents the 9 month journey from conception to birth with images taken inside the womb. New photographic and camera techniques allow the viewer to see previously unknown images concerning a time we all go through.
The Face of Birth - a film about pregnancy, childbirth, and the power of choice. This documentary follows the diverse, heart-warming, and sometimes heart wrenching stories of a handful of ... See full summary »
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
First comes love, then comes marriage, then comes baby in the baby carriage. For filmmaker Nina Davenport, that old playground song didn't go as planned. Single at age 41, she decides to have a baby on her own, never minding the odds stacked against her or the extra hurdles of living in New York City. Along the way, she explores the ever-changing definition of "family."
narcissistic, self-indulgent, whining narrative about first world problems of a privileged white woman
This "film" should've been called "First comes Love (for THE Me!)" as it is wrought with nothing but whining, self-indulgent, autobiographical footage, which at no time amounts to anything either compelling, interesting, or stimulating. At one point it seems like she wanted for this to be a token of what some bourgeois, privileged, middle-aged white women "have to" go through in our postmodern, angst-ridden age, but instead she just doubles down on meaningless & uninspired autobiographical trivialities. Another sign of how indulgent & narcissistic she is, the runtime of nearly 2 hours is decidedly excruciating to hear her whine about her First World problems, and how disappointing her pampered, kept life is.
As an experiment in masochism, I watched it to the end, to see how consistently she remains committed to failing in this tortuous project, and she succeeds wonderfully in creating an endlessly long stream of pointless self-absorbed narratives about "this is my life."
It doesn't even rise to the dreck of YouTube nonsense, as those peoples' channels have actual fans interested in the banalities of their personal lives. Nina Davenport doesn't even amount to that. Why she and HBO thought this could be of any interest to anyone is a mystery I wanted to unravel by disciplining myself to watch it all the way through. Even when she interacts with Jasper at the end, it's STILL all about her and how much of an inconvenience her new living hobby is for her listless lifestyle. Boo hoo. There are zero sympathetic characters of interest, and zero footage worth watching. At no time does this even get accidentally interesting. Hearing her tone of voice as she whines to people she points her camera at (like it's a shotgun), really brings alive how narcissistic the content is.
What was the pitch like, "I'm going to whine to people about my insecurities and First World problems and whine to Daddy benefactor at how emotionally detached he was."
This is a truly sad relic of the collapse of Western Civilization. That projects like this get green lit, when we've collapsed the ecosystem of the floating rock we all share is beyond crass, it's mind numbing.
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