It's the Wild West, circa 1870. Samuel Alabaster, an affluent pioneer, ventures across the American frontier to marry the love of his life, Penelope. As his group traverses the west, the once-simple journey grows treacherous, blurring the lines between hero, villain and damsel.
10 years after a global economic collapse, a hardened loner pursues the men who stole his only possession, his car. Along the way, he captures one of the thieves' brother, and the duo form an uneasy bond during the dangerous journey.
Riding across Manhattan in a stretch limo in order to get a haircut, a 28-year-old billionaire asset manager's day devolves into an odyssey with a cast of characters that start to tear his world apart.
This movie chronicles the story behind the 1955 LIFE Magazine photo thread by Dennis Stock of then-rising star, James Dean, and gives us an inside look at some of Hollywood's most iconic images and into the life of a gifted, but troubled man.
Dane DeHaan turned down the role of James Dean five times as he felt intimidated playing such a respected figure. His wife, Anna Wood, eventually convinced him to take on the role. See more »
Pay Phones in 1955 did not have metal cords or the receivers shown in the film. See more »
I don't wanna play their stupid game.
You don't have to. I mean, just let me help you. I got 30 million people reading LIFE Magazine... and we do, we do a great shoot...
Wait a minute, wait a minute! You think you're giving me something that's not alerady comin' my way? I lose myself in my roles! I don't wanna lose myself in all this other stuff. And you are this other stuff.
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Not that this necessarily pertains to the period of interaction between Dean and a photographer, but Dean was a race car driver. He was heavily involved in that during that year. So he wasn't just a restless spirit laying around. He had a daredevil spirit and lots of races. He was portrayed here as a bored farm boy.
What I did like was showing how people get to know each other over time, and how life is actually fairly boring even for a burgeoning star during the inactive hours of a week. Even James Dean has to eat, sleep, visit family, and sign paperwork.
But there was not much reason shown for anyone to find Dean interesting. Even the photographer, who was initially captivated by some indescribable quality, scolded him for being a whiny self-interested nobody.
Having said that, and having read comments from Dean fans, I am willing to believe that the real Dean had charisma and a face that expressed pain and depth.
I liked the farm sequence. It showed you that Dean wasn't really a rebel, because he loved his family, his home town, and America. Everyone comes from somewhere. He's from a sleepy small town in the Midwest and his mother died when he was young. That should explain his sleepy demeanor tinged with sadness.
The nudity was great, because that girl was beautiful. But it was totally gratuitous. There is absolutely no reason to show boobs when two people are talking in bed.
You do get a sense that the country is on the brink of a new vibe, with the balance of old and new in the culture., and our characters' comfort in hanging out with black folks.
Look, there's not much to this story, but it is mildly interesting to see the life of a struggling early Hollywood photographer, and a fresh star. Plus I always enjoy depictions of male bonding, with all their ups and downs.
Unless those things interest you, avoid it. Because like life itself, this thing is dull.
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