Far from the Madding Crowd
is a movie starring
Carey Mulligan, Matthias Schoenaerts, and Michael Sheen.
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
During the early years of Nazi occupation of France in World War II, romance blooms between Lucile Angellier (Michelle Williams), a French villager, and Bruno von Falk (Matthias Schoenaerts), a German soldier.
Kristin Scott Thomas,
Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
The story of independent, beautiful and headstrong Bathsheba Everdene (Carey Mulligan), who attracts three very different suitors: Gabriel Oak (Matthias Schoenaerts), a sheep farmer, captivated by her fetching willfulness; Frank Troy (Tom Sturridge), a handsome and reckless Sergeant; and William Boldwood (Michael Sheen), a prosperous and mature bachelor. This timeless story of Bathsheba's choices and passions explores the nature of relationships and love - as well as the human ability to overcome hardships through resilience and perseverance.Written by
At the beginning of the movie, Bathsheba Everdene is shown riding along sidesaddle. Suddenly (probably to show her disregard of convention) she throws her leg across and gallops away astride, like a man. However, there is a lip on the off side of a side saddle that does not allow for comfortable cross-saddle riding. We see the saddle with its horn (leaping head), but we also see a stirrup on the off side. A sidesaddle does not have stirrups on both sides, only on the near side. See more »
"Bathsheba Everdene." "Bathsheba." The name has always sounded strange to me. I don't like to hear it said out loud. My parents died when I was very young, so there's no one to ask where it came from. I've grown accustomed to being on my own. Some say even too accustomed. Too independent.
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Greetings again from the darkness. If you have read Thomas Hardy's 1874 novel or seen director John Schlesinger's 1967 (and far more energetic) screen adaption starring Julie Christie, or even if you are a High School Literature student with the novel on your summer reading list, you will probably be interested in this more modern-day thinking approach from director Thomas Vinterberg (The Hunt). It's more modern not in look, but rather in the feminist perspective of Bathsheba Everdene (one of my favorite literary character names).
Carey Mulligan plays Ms. Everdene, and she is exceedingly independent and ambitious for the time period, while simultaneously being attractive in a more timeless manner. This rare combination results in three quite different suitors. She first meets sheep farmer Gabriel Oak (Matthias Schoenaerts, Rust and Bone), who is smitten with her spunk, and he proposes by offering her way out of poverty. She declines and the next time they cross paths, the tables have turned as she has inherited a farm and he has lost everything due to an untrained sheep dog. Next up is a proposal from a socially awkward, but highly successful neighborhood farmer. Michael Sheen plays William Boldwood, who is clueless in his courting skills, but understands that combining their farms would be a make-sense partnership. The third gent is Sergeant Francis Troy (Tom Sturridge), a master of seduction by sword. She is sucked in by Troy's element of danger, unaware of his recent wedding gone awry to local gal Fanny Robbin (Juno Temple).
As with most literary classics and in fact, most books the screen adaptation loses the detail and character development that make the book version so enjoyable. Still, we understand the essence of the main characters, and the actors each bring their own flavor to these roles. The story has always been first and foremost a study in persistence, and now director Vinterberg and Mulligan explore the modern day challenges faced by women in selecting a mate: slow and steady, financially set, or exciting and on edge. In simpler language, should she follow her head, wallet or heart?
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