6.3/10
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6 user 31 critic

Ned Rifle (2014)

Unrated | | Drama | 1 April 2015 (USA)
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Henry and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Rifle family.

Director:

Hal Hartley

Writer:

Hal Hartley
1 win. See more awards »

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Cast

Credited cast:
Aubrey Plaza ... Susan Weber
Parker Posey ... Fay Grim
Liam Aiken ... Ned Rifle
Robert John Burke ... Chet
Jefferson Mays ... Dr. Ford
Martin Donovan ... Rev. Daniel Gardner
James Urbaniak ... Simon Grim
Bill Sage ... Bud
Gia Crovatin ... Olive
Lloyd Kaufman ... Zach
Karen Sillas ... Alice Gardner
Quincy Tyler Bernstine ... Mary
John Ellison Conlee ... Sheriff
Christina Rouner ... Amelia
Thomas Jay Ryan ... Henry Fool
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Storyline

NED RIFLE is the third and final chapter of Hal Hartley's tragicomic epic begun with HENRY FOOL (1997, TIFF) and continued with FAY GRIM (2007). At once a saga concerning the Grim family of Queens and how their lives are turned upside down by the arrival of the self-proclaimed genius Henry Fool, the trilogy is also an illustration of America's grappling with ideas, art, politics, and religion over the course of 20 years. In this swiftly paced and expansive conclusion, Henry and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome, sexy and hilarious Susan, whose connection to Henry predates even his arrival in the lives of the Grim family. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

1 April 2015 (USA) See more »

Also Known As:

Нед Райфл See more »

Filming Locations:

New York City, New York, USA

Company Credits

Production Co:

Possible Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Hal Hartley used to use the pseudonym Ned Rifle when he composed music for his films. See more »

Goofs

When Ned is at the pharmaceutical company talking to the doctor before he sees his father, he breaks a glass and cuts his left hand. The doctor bandages Ned's hand in the restroom. Then as Ned takes Susan's hand prior to walking outside to see his father the bandage is clearly visible on his left hand. However, as they walk side-by-side outside there is no bandage on Ned's hand. See more »

Quotes

[first lines]
Ned Rifle: [on one knee] Defend me, Oh God, thy humble servant, in all assaults of the enemy. That I, surely trusting in thy defense, may not feel the power the adversary. But the words in my mouth, and the meditation of heart be always, be always acceptable in thy sight. Oh Lord, my strength, and my Redeemer.
See more »

Connections

Follows Fay Grim (2006) See more »

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User Reviews

 
A Triumphant Return!
17 April 2015 | by CrabbyMcGrouchpantsSee all my reviews

For someone who's never been gone.

Admittedly, I'd do well to see a few of Hartley's films again — and catch a couple I've missed — but this one hit me as straight-on as nothing of his since 'Simple Men' (one of my three favorite movies ever!).

The droll, deadpan surface level of the dialogue once again serves to convey an *immense* amount of thought, anguish, and backstory behind each character, with their wounds, indignations, and strivings. The intersections are never less than enlightening, as each has to truly grapple with the other (Hartley once said he wasn't interested in writing other than "strong-willed characters"), finding, at every turn, no small amount of articulation of one's desires is required just to cope.

Sounds like a drag? This stuff's hilarious! "I know what it *means*, Fay." "And then, afterwards, he still didn't introduce me." "Oh ... you're religious?"

Complainers remind me of what Atom Egoyan once said about the responses to his early films, contending that they were "cold": "To me, it's almost operatic ... they're *so* far gone, they could barely muster the energy to kill themselves." (paraphrasing from memory, here.) Similarly, in Hal Hartley's films, every look, every gesture, has so much boiled down into it that only the truly-astute would notice the immense amount of ground covered in this ostensibly-sparse 94 min.

(Best screening I've ever attended at the Laurelhurst Theater here in Portland, too! Even subtle, little jokes — the kind that "barely happen" — got people knowingly chuckling, and I had a nice conversation with a woman in lobby about the latest issue of 'Cometbus' that I was reading: "What's he doing nowadays? Me and my friends had been wondering!" He's around. We're all around, it seems!)

Hallelujah.


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