Nobody knows where the Machine has now relocated itself, but it is still in contact with both Finch and, by association, Reese and their new partner Shaw, as well as Root. Still institutionalized, Root may have a short term problem in dealing with her psychiatrist, whom she sees as being stupid, and from whom she has not been provided access to any electronic devices including telephones. Carter, now demoted to patrol following her HR-initiated wrongful shooting incident, has her own new primary agenda. She has also not told Finch or Reese of her association with a past number. And the Machine has dispensed another number to Finch, that of navy sailor, petty officer second class Jack Salazar. Upon first sighting, Reese, despite or partly because he chose the military over a prison sentence for an assault five years earlier, likes Salazar, a man who seems to stand up for his principles and his friends and who knows how to take care of himself using his fists. After Reese loses track of...
Did You Know?
At one point, Shaw tells Finch that an operation has gone "pear-shaped". This is a traditionally British expression for a situation that has gone horribly wrong. See more
Although a shot and a beer are known as a boilermaker in most of America, what Reese gave Finch was technically called a depth charge, where the shot-glass is dropped into the beer. See more
If Jack's like most sailors, it's booze, broads and a tattoo; in that order.
I suppose you know the usual haunts.
Sure. It's two for one boiler makers in Hell's Kitchen.
[Makes a face
That sounds horrible.
The new Season 3 Main Title Sequence includes a blink-and-you'll-miss-it moment at 16 second mark, when brief footage of Root (Amy Acker) is seen. Accompanying this is The Machine's designation for Root, displayed on the screen: "Analog Interface". See more
References Let's Make a Deal
by Cuarto Poder See more