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Salting the Battlefield (2014)

This is a re-release of the original title Salting the Battlefield (2014).

Director:

David Hare

Writer:

David Hare
Reviews
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ralph Fiennes ... Alec Beasley
Shazad Latif ... Jez Nichols
Felicity Jones ... Julianne Worricker
James McArdle James McArdle ... Ted Finch
Bill Nighy ... Johnny Worricker
Saskia Reeves ... Anthea Catcheside
Daniel Ryan ... Bill Catcheside
Leanne Best ... Amber Page
Judy Davis ... Jill Tankard
Helena Bonham Carter ... Margot Tyrrell
Ewen Bremner ... Rollo Maverley
Olivia Williams ... Belinda Kay
Kate Burdette ... Allegra Betts
Rupert Graves ... Stirling Rogers
Andrew Cleaver Andrew Cleaver ... Brian Lord
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Storyline

The Johnny Worricker Spy trilogy concludes with Salting the Battlefield, in which our hero with his ex girlfriend, Margot are criss-crossing Europe trying to stay one step ahead of the security services and a vengeful Prime Minister. Worricker is being watched - His family and friends are being watched - He is running out of cash and he needs to make a move to reach an endgame. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Action | Crime | Drama | Mystery

Certificate:

TV-PG | See all certifications »
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Details

Country:

UK

Language:

English | German

Release Date:

15 November 2014 (USA) See more »

Also Known As:

The Worricker Trilogy See more »

Filming Locations:

Wiesbaden, Hessen, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
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Did You Know?

Trivia

Reunites three Harry Potter actors; Ralph Fieness, Helena Bonham Carter and Bill Nighy See more »

Goofs

When Johnny Worricker walks towards the ferry then off the ferry, he casually carries two cases of wine in his left arm. The wine alone would weigh approx 18Kg (40lbs) not to mention the bottles, but the ease with which he carries them suggests that the cases were empty. See more »

Quotes

Margot Tyrrell: You know him well?
Reverend Bernard Towers: I helped him through some difficult days. When he was a student, he loved the idea of faith, the life of the church. So, someone had to point out that he didn't actually believe.
Margot Tyrrell: And that was you. And he didn't.
Reverend Bernard Towers: No. He wanted to, more than anything, but sadly that's not the same thing.
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Connections

Follows Page Eight (2011) See more »

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User Reviews

 
The delicate moral dilemmas of the ruling class
30 March 2014 | by paul2001sw-1See all my reviews

'Salting the Battelfield' is one of two new television films by playwright David Hare, following up on an earlier film of his about a renegade British spy; and having (mostly) praised the first, 'Turcs and Caicos', I now feel obliged to criticise the second, even though the two are more similar than different. The critiques are two: firstly, the story takes place in a beautiful Britain full of beautiful people, I may like Helena Bonham Carter as much as the next man, but she really doesn't make a very convincing spy, and the elegiac music gives the whole piece a "sun sets sadly on the glorious British Empire" feel at odds with the reality of the nature of modern society and its contribution to the growth of Islamic terrorism. This film is indeed supposedly about terrorism, and the threat (or opportunity) that it offers to the state; but we never get a glimpse of anything that might be a cause of it. Indeed, the second criticism is that we rarely get a glimpse of anything, much; when Bill Nighy's character has an argument with his daughter, it's nicely scripted as far as it goes, but we know nothing to allow us to judge the man, his words and his feelings; and its emblematic of an entire drama where the cast talk around the issues but the audience is never sufficiently well-briefed. Is the Prime Minister paranoid, a con-man, or does he really believe he is doing the best for his country; the film is good on the psychology here, but poorer on the political (to the extent that the PM is doing his best, then the real, unanswered question is, to what extent is he right?). The praise I had for Hare's earlier film also holds true here (though to a slightly lesser extent): the elliptical dialogue is a treat, even if it sometimes frustrates. But what frustrates most is that Hare, who personally is a very political man, seems unsure of what he wants to say here; and leaves us with a portrait of the delicate moral dilemmas of the upper middle class that seems as far away from the life most of us actually live as the Turcs and Caicos islands themselves.


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