American Symphony

A self indulgent delve into an artist who is clearly talented. I don't profess to know anything about Jon Batiste, I have heard his name mentioned every now and then. The synopsis for this documentary described it as deeply intimate but that intimacy is mostly at the mercy of carefully set up scenes in my opinion. Batiste seems like a nice man but my word the makers of this documentary made him look like a bit of a self centred and pretentious individual.

It got about an hour in and I found myself talking to the screen, clearly I wasn't falling for the nonsense. I must say that the film picked up from the Grammy awards section onwards, which is good as at that point I was verging on awarding the film a 1 star review. Jon's wife Suleika Jaouad was clearly going through a terrible cancer ordeal of which I have full empathy. I did find a lot of the scenes extremely set up especially the wedding, some of the hospital sequences and Jon on the phone to his therapist.

The part when he is performing at the piano (not during the power cut) and he waits for what feels like an eternity to begin to play was something of a low point. The audience didn't look too thrilled to watch his show.

I am unlikely to further my education into Batiste, but I am happy to part company with him knowing that I didn't dislike him as much as I did during the first hour of this documentary, than I did at the end.

At one point his wife mentions that the music playing is "emotionally manipulative", I think this sums up American Symphony perfectly.

Creating a great work of art is very much like creating a heartfelt, loving relationship. Both take work and commitment, both in good times and bad. The challenges can be difficult, but the rewards can be incalculable. Learning how to successfully maneuver through them, as well as how to strike a harmonious balance that keeps both ventures moving forward, is a skill that takes an array of abilities and aptitudes s to master, but, as documentary filmmaker Matthew Heinenman's latest so deftly illustrates, it's an attainable goal, the prevailing highs and lows notwithstanding. The film follows the extraordinary year experienced by musician/composer Jon Batiste and his wife, best-selling author Suleika Jaouad. In 2022, they came face to face with both ends of the spectrum of life. Batiste, an artist with an impressive musical range and repertoire, was reaching new heights in his career, winning five Grammy Awards while serving as band leader on The Late Show with Stephen Colbert and seeking to complete work on an ambitious composition aimed at reflecting the breadth of our national music, diversity and culture, American Symphony. At the same time, though, Jaouad suffered a recurrence of the cancer she battled a decade earlier, an illness she chronicled in writings that would come to launch a career; now, after a 10-year remission, she was facing a second, potentially risky bone marrow transplant to treat her condition, not to mention an uncertain future. With such seemingly polar opposite fates befalling them, Batiste and Jaouad struggled to get through their respective challenges while keeping their love and art alive, putting their successes into perspective in light of what they were up against otherwise. This intimate, heartstring-tugging documentary gives viewers a candid, up-close look at what a truly loving couple can experience under such diverse, trying and bittersweet circumstances, but without becoming manipulative or melodramatic. This beautifully photographed story provides an unfiltered depiction of the range of emotions that each partner goes through, particularly when it comes to its depictions of the philosophical insights observed by each of the spouses. It also showcases Batiste's wide-ranging musical styles, both in his performances and in his composition process. Admittedly, a few of this offering's sequences meander a bit, but the overall production is skillfully edited and sensitively portrayed. "American Symphony" is a beautifully moving film, one that reinforces what matters most in life and what makes it worth living, during both good times and bad, as long as we have each other to make our way through it, bringing new meaning to what our marriage vows are ultimately all about.

Jon Batiste was first imprinted in my mind during Covid when The Stephen Colbert Show closed for the night. The undeniable positive, creative energy. A beautiful human who heals souls. I am not a religious person but now and again you come across humans who are just that.

Clearly the documentary shows you the other side and the very real struggle to not only helplessly stand by while your partner suffers but everything else. Eternal hope and realism and pure love.

This was my first introduction to Suleika. What a force and gorgeous artist. She makes me want to pick up my paint brushes again.

They are making quite an imprint in this world. Individually and ultimately together.

Thank you for making this movie. Kleenex thanks you too.

Musician Jon Batiste is composing a symphony while his wife/writer Suleika Jaouad undergoes cancer treatment. This is a documentary. I know Jon Batiste only through "The Late Show with Stephen Colbert". My surface take on him is radical positivity. It's more than being Ed McMahon. He seems like a guy who reacts with a smile no matter what the situation. This movie lets the audience a peek inside the curtains. There are moments. There are big moments of anxiety and doubt and depression. It may be small little peeks, but they are enough to paint a picture of the man and his relationship with his wife. Those extra paint colors really sets off the climatic musical performance.

I have thoughts in response to the one review claiming it felt too staged / too amateur with camera angles that were out of focus or too close up, and the message didn't focus enough on ONE issue... but then the reviewer spoke on the few scenes that stuck out and made them feel deeply and we're beautifully filmed.

Isn't that life?

Isn't film... art?

Art is supposed to be open to interpretation, and make you feel something personal to YOU, and not to lead you to extract something specific. The artist is simply expressing and hoping to evoke some type of feeling in you, but most painters/drawers/sculptors will never tell you what their art "means." They'll ask, "what do you think it means? What does it speak to you?" I think the way it was filmed though, is intentionally a representation of life. The director wasn't going for "professional," clean, consistent, etc. It's apparent he was demonstrating the very thing Sulaika profoundly stated - "I feel like we're living a life of contrasts." And THAT, to me, was THE main message of the movie. No, not just their relationship, cancer being so hard, him breaking molds and records as a Black artist, or that he's a "broken" man (which... If that's what you considered broken, you must be living under a rock lol). He's a man who feels deeply but his brain sometimes gets anxious when he isn't staying present in his body, in his soul, in his inner knowing that everything is always changing. "God gives and takes away", he said in one scene. Coming to grips with that, and practicing non-attachment, is key. Especially considering the immense amount of pressure he was under, his anxieties are normal and real. This is the human condition. His wife is also a woman who feels deeply, and is very intentional about not wanting to NOT feel every ounce of the highs and lows of life that make it the HUMAN experience. (notice Jon's band is named "Stay Human"?)

This film reminded me of my deep love and connection with music, HOW it saved me at many points in life, and how and why cultures and traditions across the globe find peace, strength and joy in it and through it. Resilience, hope, and relief.

And how sometimes in the most intimate, honest moments of expression, there just aren't words to suffice. Silence spoke so loudly in this film and that touched me deeply.

Lastly, i want to speak on how this reviewer called Jon pretentious. I wonder how Jon's jubilant, confident, cool demeanor would be received if he weren't a Black man from New Orleans. Sure, he knows he's a genius. Good for him! And he also gives honor and credit to God/Source and the people who have shaped him. Why is it a bad thing that a little Black boy grew up with the acute awareness of just how excellent and magical he is? Is he not kind? Generous, encouraging? Loving? What is it about the way that he carries himself that is negative? He is a young King that honors his queen and loves people deeply. (We can all think of another intelligent, cool, confident, witty Black male who has been in the spotlight since 2008 who also was called "pretentious." smh.) I don't imagine the reviewer shared the same skin tone as Jon. But if so, there's an internalization of a mindset that's caused them to play small their whole lives that they're projecting outwardly. And if not, I think the subconscious concern is more about how dangerous it is when people of Color, especially Black folks, know just HOW brilliant they are, and ACT on it with full faith and confidence. It shifts the frequency of the entire globe, and that shifts power. And people who have historically held all of it, don't want that change. But like Jon said in the beginning of the movie, (summarizing here:) we're all a part of something happening in and around us, an unfolding. A shift. Whether we want to see and acknowledge it or not.