Immediately after WWII, Anita, a young survivor of Auschwitz, looks at the world with worried eyes. She quickly finds herself involved in an intense and passionate affair that almost ...
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Charles Henri Belleville
Immediately after WWII, Anita, a young survivor of Auschwitz, looks at the world with worried eyes. She quickly finds herself involved in an intense and passionate affair that almost shatters her, but eventually gives her the strength to rebel and start a new life.Written by
Jean Vigo Italia
I will start listing the good things I found in this movie: it transmits the passion that has been put in the making. It deals finely with the most delicate matter of the past Century: the genocide of six million Jews during World War II. It gives hope.
On the other hand, however, it shows the (most irritating to me) lack of narrative depth that I so frequently find in modern Italian productions. What kind of audience could find convincing a woman saying to a girl she just met 'the best way to explain to you what love means is playing this melody on the piano'? And people who hurt other people, why would do they do that? We are not given an explanation of their behavior, not a hint. Should we believe that they are just born different from the others, that mankind could be divided into those who keep smiling (the good ones), those who never do (the bad ones) and those who sneer (the deceiving ones)? I hate it when the script requires me a leap of faith to believe the story.
I have my own theory: I think Italian cinema has reached an all-time low and people by now are so used to bad films that good Authors (like the present ones) do not feel anymore the need for a really good production, starting from a sound screenplay. I am Italian and I love movies. Nothing could please me more than watching beautiful Italian movies.
11 of 14 people found this review helpful.
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