In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
NIGHTCRAWLER is a thriller set in the nocturnal underbelly of contemporary Los Angeles. Jake Gyllenhaal stars as Lou Bloom, a driven young man desperate for work who discovers the high-speed world of L.A. crime journalism. Finding a group of freelance camera crews who film crashes, fires, murder and other mayhem, Lou muscles into the cut-throat, dangerous realm of nightcrawling - where each police siren wail equals a possible windfall and victims are converted into dollars and cents. Aided by Rene Russo as Nina, a veteran of the blood-sport that is local TV news, Lou blurs the line between observer and participant to become the star of his own story.Written by
Open Road Films
The coyote theme became so strong that it was considered as an alternate title. See more »
After Louis calls in the suspects in the restaurant, the police scanner can be heard identifying the situation as a "code 3." Based on the codes Louis researched toward the beginning of the movie, and listed on his computer screen, a code 3 is an "emergency call, lights and siren." When the officers arrive, they do so absent lights and siren, which would have been a code 2/HIGH based on Louis' research, which was listed as a "priority call, no lights or siren." See more »
Home invasion in Granada. He got there before the cops. We have 10 minutes to airtime, how much of this can we show?
You mean, legally?
No, morally; of course, legally.
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Though hardly perceivable, the moon continues to rise as credits roll. See more »
Once Jake Gyllenhaal signed on to do Nightcrawler I knew it would be a special film. The man has been producing nothing but gold lately and this is no different. Nightcrawler is an experience - it takes you on this journey through the grimy streets of LA, through the corrupt minds of media moguls, and everything is told through the eyes of seemingly charming slimeball reporter Louis Bloom (Jake Gyllenhaal).
Nightcrawler works on so many levels. The writing and direction is fantastic, which is especially impressive as it's the directorial debut by Dan Gilroy who takes on both duties. He had a clear vision of how he wanted to portray LA and the sleek, brooding yet slightly lackadaisical tone transfers perfectly onto the big screen. The acting is phenomenal - Gyllenhaal gives a performance that's the polar opposite from his character in Prisoners and he was on point for every second. He was the perfect casting choice to carry the movie.
The movie has a clear message on the media and how they abuse stories and reap the benefits regardless of who gets victimized. It's a message that has been told a million times before, but never quite like this. Nightcrawler throws you right into the gritty streets along with a hustling thief, Lou, who starts freelancing as a videographer of crime scenes and selling his footage to a news channel for money. We go along this journey with Lou and watch his transformation from being a sleazy but ambitious individual to becoming a manipulative, self-serving sociopath. Then you start to realize that he was like that all along. His charming charisma masked his true intentions, and this peek into his psyche is the most potent and disturbing aspect of the movie. It's a character study that encompasses an entire lifestyle, and told with enough elegance and wit to keep you on board the whole way.
There's a dark comedic tone present throughout. Lou's persistence and crass remarks to basically anyone he encounters provide some good laughs. He doesn't sugarcoat anything, he'll talk to anyone in order to get his way, and he has a sleazy smirk that never fails to get a reaction. Also Gyllenhaal's chemistry with Rene Russo (the news director) is palatable and their work dynamic becomes more of a gripping co-dependency as the movie progresses.
Nightcrawler is a must-watch for fans of cinema. It's a work of art from a directorial and writing standpoint, from an acting standpoint, and from a basic human nature standpoint. It really does a hell of a job at sucking you into this dark gloomy world to the point where you don't want to get out. It's intense, it's funny, it's thrilling, it's powerful, and most of all, it's real. Nightcrawler is simply sensational.
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